ROBIN HOOD – Review by Sarah Ward

The latest version of Robin Hood takes its cues from modernised medieval epics to give audiences a high-energy dose of action, although nobody will feel particularly richer or poorer for it. Returning the folkloric figure to the big screen for the first time since 2010, this is a new, younger-skewing original story rather than a rehash, with designs on setting up a new franchise.

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THE WEEK IN WOMEN: THE WEEK IN WOMEN: Caro and Chastain challenge status quo, Robbie scores revisionist ROBIN HOOD, Ivy Film Fest plays women composers and more — Brandy McDonnell reports

Set to direct Disney’s live action remake of Mulan, Niki Caro becomes the fourth woman director to helm a $100-million

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