ROSIE – Review by Loren King

Rosie blends human heartbreak and social realism. Anyone living even remotely close to the edge likely understands that homelessness isn’t a moral failing but a widespread social problem created by economics and greed. But scripter Doyle and director Breathnach don’t preach or moralize; they’ve told a complicated story with elegant simplicity.

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ROSIE – Review by Martha K Baker

Rosie presents real life in a car. Roddy Doyle knows a little something about families that are down and close to out. He wrote The Commitments, The Snapper, and The Van. Each book, story, and/or screenplay is about Irish folks who have hit the penultimate rung with a bounce. Doyle’s works have two things in common: hope and stubbornness.

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