ROSE (NYFF 2026) – Review by Margaret Barton-Fumo
Markus Schleinzer’s third feature Rose is a formal marvel, as well as an excellent vehicle for its lead actor, the always impressive Sandra Hüller. Set in the 16th century during the Thirty Years War, Hüller plays a world-weary woman who disguises herself as a male soldier and sets out to claim a fallen associate’s inheritance.
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