Lisa Hurwitz on THE AUTOMAT, Communal Dining and Mel Brooks – Leslie Combemale interviews

Getting a film to any screen is a major undertaking, but finding a loyal, appreciative audience and getting national distribution is a rarity indeed. Lisa Hurwitz, director and producer of the highly acclaimed, perfectly delightful documentary The Automat knows how lucky she is her film is being so well-received and is landing in so many theaters.

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MOVIE OF THE WEEK February 18, 2022: THE AUTOMAT

Lisa Hurwitz’ affectionate documentary The Automat is the best kind of history lesson: informative, approachable, and as refreshing as a hot cup of coffee and a piece of apple pie. As it traces the rise and fall of iconic restaurant chain Horn & Hardart — which at one time served as many as 500,000 customers a day at its many locations in New York City and Philadelphia — the film offers a nostalgic look back at America during much of the 20th century.

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THE AUTOMAT – Review by Jennifer Merin

Lisa Hurwitz’s documentary, The Automat, will whet your appetite for a stroll down nostalgia lane and, at the same time, make you crave a slice of apple pie. The Automat is, of course, Horn & Hardart, one of the most popular and successful restaurant chains in US history and, alas, no longer in business to provide high quality, deliciously prepared and amazingly affordable food to 500,000 patrons per day.

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THE AUTOMAT – Review by Loren King

The Automat is irresistible for anyone who relishes images of old New York, dining history, art deco style and an honest cup of coffee. That it pours from a European-inspired spigot just adds to the appeal of Lisa Hurwitz’s The Automat, an entertaining and nostalgic look at the once wildly popular eateries with their glass, chrome and marble interiors founded in 1902 by Joe Horn and Frank Hardart.

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THE AUTOMAT – Review by Leslie Combemale

The new documentary release The Automat teaches many things about the power of nostalgia, the history of New York City, the benevolence of companies long gone, and the egalitarianism of a 5 cent cup of coffee, but before all else, it teaches audiences that Mel Brooks has been and always will be a force.

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THE AUTOMAT – Review by Susan Wloszczyna

I was happy to breeze through memory lane as I watched Lisa Hurwitz’s doc The Automat, which digs deep into Horn and Hardart cafeteria chain. There is something delicious about learning how these art-deco emporiums welcomed one and all, rich or poor, White or Black, male or female, even if they were homeless and simply used a cup to make a condiment soup with mustard and ketchup.

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RUTH – JUSTICE GINSBERG IN HER OWN WORDS – Review by Martha K Baker

Speaking to a class of 5th graders, Ruth Bader Ginsberg enumerates the three impedimenta against her success as a lawyer when she graduated first in her class of 1959: she was a woman, she was a Jew, and she was the mother of a 4-year-old. So how, asks director Frieda Lee Mock, did Ginsburg become a Justice of the Supreme Court?

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RUTH – JUSTICE GINSBERG IN HER OWN WORDS – Review by Liz Braun

Ruth – Justice Ginsburg In Her Own Words is yet another look at the diminutive woman who became a giant of jurisprudence. It seems impossible that any new material about Ruth Bader Ginsburg is still out there, but this film from Freida Lee Mock uses Ginsburg’s own words to both outline the professional and offer a glimpse of the personal.

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SPOTLIGHT August 2015: Natalie Portman, Actress, Activist and Crusader for Women Directors

portman excerptBeing an Oscar-winning actress isn’t the reason Natalie Portman is this month’s SPOTLIGHT. In addition to long-time advocacy work for a number of causes—animal rights, female education, and mircofinance among them—Portman is an outspoken supporter of the need for women directors. Read on…

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