SINNERS – Review by Sherin Nicole

Sinners is alive. Both in the moment and immortal. It’s a story about stories, a cinematic conjuring where folklore, music, and family become the marrow of survival. Ryan Coogler has crafted a bold reclamation but also an expansion of the American narrative on film, where vampires are less monsters than metaphors for the forces that have haunted and fractured our communities for generations. Here, the juke joint isn’t just a set piece. It’s a crossroads where Black-American, Chinese-American, Choctaw, and Old Irish traditions intersect in harmony and discord—each of our musical traditions entwined in the story’s DNA. Coogler trusts us to reconcile the mixing of genres, allowing the weight of history and centuries of rage to roil beneath the surface of Mississippi culture and lore. Never spelling out what anything means but trusting us to find the poetry in what we see and how it makes us feel.

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SINNERS – Review by Leslie Combemale

While it’s true that Sinners is multi-layered, and filled with symbolism, the film can absolutely be enjoyed by those just wanting to experience a great period vampire thriller. The film takes place in 1932’s Mississippi Delta. Twins Smoke and Stack (both played by Coogler longtime collaborator Michael B Jordan) have returned home from Chicago with a bag full of money, and plan to build and run a new juke joint. They gather friends and family to help with opening night, and it gets off to a great start. Mid-evening, they find themselves forced to fight dark supernatural forces that want kill them all, or worse yet, integrate them into their vampiric colony. In addition to what’s seen on the entertaining surface, there are deeper layers in which vampirism becomes a metaphor for both colonization and conversion to Christianity and away from African spirituality.

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BLACK PANTHER: WAKANDA FOREVER – Review by Valerie Kalfrin

Wakanda Forever, then, had a tall order to fill, and if it’s flawed in parts, it also acknowledges this loss and moves forward in a way that’s ultimately satisfying. The plot is sometimes messy, with many moving parts, but the film gives its actors—especially Wakanda’s formidable women—powerful performances and moments to shine. Ultimately, Wakanda Forever delivers an emotional sendoff fit for a king—and a message that Wakanda, cherished by its creators onscreen and off, will carry on.

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COMING 2 AMERICA – Review by Susan Granger

If you never saw or can’t remember Eddie Murphy’s Coming to America (1988), you might enjoy the original before tuning into this comedic sequel, newly released on Amazon Prime. But it’s not necessary. Director Craig Brewer, working with writers Kenya Barris, Barry W. Blaustein and David Sheffield, supplies all the background information you’ll need to follow the fairy tale.

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COMING 2 AMERICA – Review by Leslie Combemale

Silly, sweet, and full of powerful Black female characters who are neither beholden to, nor second fiddle to some blonde, white lead. Coming 2 America is more a vehicle for the female actors than for stars Eddie Murphy and Arsenio Hall. It is also unabashedly made for fans of the original cult classic.

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SPOTLIGHT April 2020: Ruth E. Carter, Costume Designer, Style Setter, Mentor

Oscar-winning costume designer Ruth Carter has carved a monumental career for herself in an industry that rarely had people of color working in her profession. Women of color, rarer still. Carter has been breaking barriers and building her reputation in the film industry for over 30 years. She’s reached the height of her aspirational dreams, turning what she’s most passionate about into her life’s work. She’s changed society through the films she’s chosen and cleared the way for acceptance of women of color in collaborative artistic positions of power in Hollywood.

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Ruth E. Carter and Sandy Powell talk Epic Costuming – Jazz Tangcay interviews

Ruth E. Carter made history when she became the first African-American to win the Academy Award for Outstanding Costume Design add this year for “Black Panther.” Recently, she’s reteamed with Eddie Murphy on Netflix’s “Dolemite Is My Name” (they previously collaborated on “Daddy Day Care,” “I Spy” and “Dr. Dolittle 2”), for which where she created more than over 75 costume changes for the star Murphy alone.

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“Academy Originals” Focus on Women Filmmakers – Michelle McCue Reports

AMPAS’ video series “Academy Originals” focuses on behind-the-scenes artists and skills that get a film from page to screen. Episodes cover everything from how Jurassic Park changed the VFX world to screenwriters who toil away at local coffee shops. With Oscar emcee Ellen DeGeneres and the re-election of AMPAS President, Cheryl Boone Isaacs, the Academy is showing diversity, Many “Academy Originals” highlight women filmmakers, showing how their contributions inspire young girls to become filmmakers. Read on…

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