SAINT MAUD – TIFF19 Review by Alexandra Heller-Nicholas

As the only woman-directed film in TIFF’s iconic Midnight Madness program in 2019, the world premiere of Saint Maud demonstrates British director and screenwriter Rose Glass’s flair for horror with this extraordinarily powerful feature film debut.

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TIFF19 Best Movies Wrap – Julide Tanriverdi reports

Working at a film festival always comes with the frustration that you cannot possibly see all the movies you want. I was dying to see The Lighthouse and Waves for instance and could not make it. But from the 23 movies I did manage to see I chose these to highlight.

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