LITTLE WOMEN – Review by Brandy McDonnell

Beloved by generations of female readers, Alcott’s tale of four sisters growing up in genteel poverty in 1860s Massachusetts remains one of the few American literary classics penned by a woman. Published in two volumes in 1868 and 1869, it unfurled the lives of the March girls in chronological order, starting with their teen years into their becoming “Little Women.”

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LITTLE WOMEN – Review by Susan Granger

Since Greta Gerwig’s Ladybird was one of my 2017 favorites, I had high hopes for her version of Louisa Mae Alcott’s classic story, but she butchers it! Rather than relate it chronologically, Gerwig shuffles, subverts and skips pivotal scenes, except for the opening Christmas letter from Father and the wryly romantic conclusion.

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MARY QUEEN OF SCOTS – Review by Brandy McDonnell

A British stage director making her filmmaking debut, Roarke ensures that the production values are high, the twisty plot is clear and Alexandra Byrne’s costume designs are flawless. She brings over the theatrical tradition of casting without regard to color whenever possible, which allows talents like Lester and Gemma Chan (as one of Elizabeth’s confidantes) to get in on the costume drama.

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TIFF 2017: Of Evil Mothers, Courageous Women and Oscars Buzz!– Julide Tanriverdi reports

Actresses showed impressive range in a variety of roles at this year’s TIFF. Sure, people were talking about the incredible

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THE WEEK IN WOMEN: Latest on Patty Jenkins, Saoirse Ronan, Reese Witherspoon and Annie Clark aka St. Vincent — Brandy McDonnell reports

Annie Clark, aka St. Vincent, is set to direct a new version of Oscar Wilde’s Picture of Dorian Gray, starring

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