ELEANOR THE GREAT – Review by Susan Granger

Scarlett Johansson makes her feature film directing debut with Eleanor the Great, a prickly character study, starring 95 year-old June Squibb. Squibb plays grieving Eleanor Morgenstein who suffers the devastating loss of her best friend Bessie, causing her to relocate from Florida to New York City to live with her overly-stressed adult daughter and unreliable grandson Looking for company at the local Jewish Community Center, Eleanor mistakenly wanders into a Holocaust support group, where she impulsively tells a tale that brings her a precarious level of attention that she did not expect.

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ELEANOR THE GREAT – Review by Lois Alter Mark

June Squibb is a national treasure. At the age of 95, the actress is still full of surprises – as well as award-worthy performances like the one she gives in Scarlett Johansson’s directorial debut, Eleanor the Great. Eleanor the Great is both hilarious and heartbreaking. Tory Kamen’s screenplay is a fresh take on a Holocaust story, with plenty of laughs, care of Eleanor’s unfiltered mouth. Although there are moments in the film that require some suspension of disbelief, the characters (and the actors portraying them) are so engaging, it’s easy to just go along for the ride.

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ELEANOR THE GREAT – Review by T.J. Callahan

Director Scarlett Johansson Johansson brings together themes of aging, family, loss, deception, truth vs reality and, most of all, friendship. It’s refreshing she’s willing to highlight older persons and their life struggles, in turn giving top billing to mature actors who have a dearth of meaty roles to choose from. June Squibb and Rita Zohar, who plays her best friend Bessie, are exceptional.

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ELEANOR THE GREAT – Review by April Neale

Scarlett Johansson makes a bold feature directing debut with Eleanor the Great, a prickly, poignant dramedy anchored by June Squibb in a role that defies the usual saintly-bubbie mold. It’s a film about grief, memory, and the dangerous comfort of borrowed stories. This is an uneasy premise given how severe the “white lie” is that Eleanor tells, yet Johansson tackles it with surprising assurance as a visual storyteller.

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ELEANOR THE GREAT (TIFF 2025) – Review by Valerie Kalfrin

June Squibb’s latest venture, Eleanor the Great, is so-so in spots, but Squibb is a firecracker, dropping tart observations between poignant reflections on grief. Ultimately, this is a film about grief, survival, and the power of stories conveyed with empathy and hope. While it’s not new to say that stories help the dead to live again, Eleanor the Great proves to be a tender reminder about how stories are essential to connection, even when they’re not our own.

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ELEANOR THE GREAT (TIFF 2025) – Review by Leslie Combemale

It’s probably true that at this point 95 year old actor ​June Squibb can do no wrong. She is not only a singular talent, she’s live goals. Just last year she starred in ​Thelma​, in which she did all her own stunts. Now we all have the pleasure of seeing her star shine again onscreen in the title role of​ Eleanor the Great​, ​Scarlett Johansson’s feature directorial debut. When we are introduced to Eleanor, she seems kind of mean spirited. Bossy and not particularly likable, she and her bestie and housemate Bessie terrorize the neighborhood as much as two ninety-somethings can.

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WEEK IN WOMEN: Kristin Scott Thomas’ MY MOTHER’S WEDDING opens in August- Brandy McDonnell reports

Dame Kristin Scott Thomas’ directorial debut, My Mother’s Wedding, will open in theaters August 8, almost two years after it had its world premiere at the 2023 Toronto International Film Festival.
Inspired by her own family history, Scott Thomas co-wrote the film with her husband, John Micklethwait. She also co-stars.

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MY MOTHER’S WEDDING – Review by Liz Braun

Dame Kristin Scott Thomas makes her feature directorial debut with My Mother’s Wedding (formerly titled North Star), a family tale about love and loss with a great cast. A lesser cast and better writing would have improved matters, but never mind. The plot revolves around the reunion of three sisters who are gathering at the family home for their mother’s third marriage. Mom (Scott Thomas) has been twice married and twice widowed, a detail from Scott Thomas’ own life. As a child, the filmmaker lost her father and her stepfather — both armed forces pilots — within six years.

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FALL FESTIVAL PREVIEW 2025 – Christina Jeurling Birro reports

Bigelow’s back, Zhao tackles Shakespeare, and More as the fall film festivals unveil their lineups. The fall film festival season kicks off on the Lido in Venice in less than a month, then rolls on from the mountains of Telluride to Toronto, and beyond. This year promises a strong showing from female directors across many lineups. Here are just a few of the exciting films to keep your eyes on!

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JURASSIC WORLD REBIRTH – Review by Valerie Kalfrin

Early in Jurassic World Rebirth, a brontosaurus lies tangled in light poles near the Brooklyn Bridge while New Yorkers wind past it like just another wreck in the roadway. That’s the problem with this film in a nutshell. The seventh film in this long-running franchise has no sense of wonder anymore about these phenomenal creatures, just a feeling that no one knows what to do with them.

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