CYRANO – Review by Joan Amenn

Sometimes a film takes a second viewing to make you aware of how much it moves you. If you have a rather cynical view of romance, perhaps, “Cyrano” (2021) won’t be your cup of tea. Or you might find yourself humming one of the tunes from the soundtrack days later and realize this very romantic film has worked itself through your thorny defenses despite yourself. I confess I am in the latter camp.

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CYRANO – Review by Valerie Kalfrin

Cyrano, a musical adaptation of Edmond Rostand’s famous tragic romance, is as besotted with language as is its protagonist, a man enraptured with a woman he thinks won’t love him back. Besotted and enraptured might seem heady words nowadays, but heightened wordplay is the lingua franca of this film’s Paris of 1640, where people admire the cut of a barb as much as swordsmanship.

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