MOVIE OF THE WEEK November 14, 2025: LEFT-HANDED GIRL

Family is both chaos and comfort in Left-Handed Girl, the directorial debut of Taiwanese American filmmaker Shih-Ching Tsou, who co-wrote the screenplay with her frequent collaborator, Oscar winner Sean Baker. Consistent with the duo’s affinity for raw, slice-of-life tales with darkly funny elements, it tells the story of a mother and her two daughters trying to make a go of things in Taipei after life throws them some curveballs. Tsou’s collaboration with Baker has served her well, but she stands solidly on her own two feet with this notable debut.

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WEEK IN WOMEN: Shih-Ching Tsou’s LEFT-HANDED GIRL hits theaters, then Netflix – Brandy McDonnell reports heading to theaters ahead of Netflix debut

Shih-Ching Tsou’s solo directorial debut Left-Handed Girl is heading to select theaters Nov. 14 ahead of its Nov. 28 premiere on Netflix. A Taiwanese-American director, producer and co-writer, Tsou returns to her childhood in Taiwan, with the deeply personal, intergenerational drama. The film premiered at the Cannes Film Festival as part of the Critics’ Week section, where it won the Gan Foundation Award as well as the Prix du Rail d’Or.

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LEFT-HANDED GIRL – Review by Loren King

Anchored by the extraordinarily expressive, angel faced Nina Ye as the 5-year old title character I-Jing, the film follows a mother Shu-Fen and two daughters, college age I-Ann, and sweet but feisty I-Jing back to Taipei. As Shu-Fen sets up a noodle shop in the city’s bustling, night market, I-Ann and I-Jing also struggle to find their footing in their new surroundings. The film weaves the stories of several generations, there’s Shu-Fen’s mother who favors an absent brother over her dutiful daughters; her father, whose superstitions cause I-Jing to think of her dominant left hand as “the devil’s hand”; and I-Ann’s inner turmoil over her past, revelations that come to a head late in the film.

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LEFT-HANDED GIRL – Review by Jennifer Merin

Left-Handed Girl is a feminist coming of age drama, a directorial debut from NY-based Taiwanese independent filmmaker Shi-Ching Tsou, a longtime collaborator with Sean Baker, who co-scripted and produced her first feature. The story centers on eight year old I-Jing (played by the utterly enchanting Nina Ye), the titular left-handed girl, who strives to be honest and good, but also believes, according to the traditional superstition that’s been drummed into her by her aged and old fashioned grandfather, that her left hand belongs to the devil and that it makes her do bad things — like compulsively shoplifting.

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ANORA – Review by Susan Granger

Winner at the Directors’ Guild, Producers’ Guild, Critics’ Choice, Cannes Film Festival and Best Picture Oscar nominee Anora may have a similar concept to Pretty Woman but with one helluva difference. Oscar nominee Sean Baker’s raucous, raunchy rom-com revolves around Anora – a.k.a. Ani (Oscar nominee Mikey Madison) – a tough-talking 23-year-old stripper from Brighton Beach in South Brooklyn, who hooks up with 21-year-old Ivan (Mark Eydelshteyn), the obscenely spoiled son of a Russian oligarch.

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ANORA (TIFF 2024) – Review by Liz Braun

Anora is a terrific movie, but no surprise there — it’s been winning over audiences since it took the Palme D’Or at Cannes last spring. Writer/director Sean Baker once again mines the world o’ sex work to find a great story populated by a rag-tag crowd of the dispossessed and disenfranchised. In Anora, a young sex worker marries the son of a Russian oligarch; she then has to deal with the fallout when his powerful parents show up, demanding an annulment. It’s a Damon Runyon tale for the 21st century, a subversive Cinderella story that’s hugely energetic and often very funny.

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New York Film Festival 2017: Top Female Performances — Liz Whittemore reports

Thankfully, this year’s New York Film Festival did not disappoint in illustrating the complexities of women. We saw actresses that have become festival fixtures and a few fresh faces never seen before. Here are NYFF55’s ladies to be recognized for outstanding roles in a dynamite mix of features.

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