SHARPER – Review by Susan Granger

There are grifters galore in Benjamin Caron’s psychological thriller Sharper that opens with what appears to be a innocent love story, set inside a small Greenwich Village bookstore. That’s where NYU grad student Sandra (Briana Middleton) meets Tom (Justice Smith), the nerdy proprietor. She’s searching for a copy of Zora Neal Huston’s Their Eyes Were Watching God. They ‘click’ and move on to a little Japanese restaurant on Mott Street for canoodling over dinner.

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SHARPER – Review by Valerie Kalfrin

The word sharper is another term for a cheating gambler—or “one who lives by their wits,” as the crime thriller Sharper says among its opening titles. Unfortunately, Sharper is dull and predictable, with a plodding pace, little suspense, and twists that anyone who loves heist films will identify well in advance.
Streaming on Apple TV+, Sharper has a fractured narrative, following four key characters at alternate points in the story. This type of structure can produce surprising reveals, but the script by Brian Gatewood and Alessandro Tanaka (both of Superstore, and also producers) isn’t engaging enough in these portions to override impatience. Those looking for a twisty crime tale will consider Sharper a cheat.

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FRESH – Review by Susan Granger

Do you like psycho-thrillers? What about horror comedies? If so, dark, devious Fresh might whet your appetite. The titles and cast credits don’t appear until 33 minutes into the story, just before the leading lady, awakening, from a drug-induced slumber, finds herself chained to a bed and is calmly told by her sociopathic captor, “I’m going to sell your meat.”

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PAM AND TOMMY – Review by Martha K Baker

You just know that, when the voice of a protagonist’s male member gets a credit in the cast list, the motion picture has the tell-tale tongue in the cheek. In eight episodes. Pam and Tommy flashes back and shreds threads of history through the Eighties and Nineties. shedding light on sleazy producers and paparazzi, celebrities, and craven criminals. The result is bright, loud, sad, vicious, painful and stupefying and worth considering as a slice of recent history and a slab of eternal misogyny.

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PAM & TOMMY – Review by Pam Grady

Pam & Tommy is tabloid television given an elegant veneer by its A-list cast and the fig leaf of feminism offered by the women on the production team and women like Lake Bell who direct some of the episodes. But nearly 30 years after all of this first started, this show is really just the latest chapter in the ongoing exploitation of Pamela Anderson, a woman who does not deserve it.

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