EMILIA PEREZ – Review by Susan Granger

If you’re looking for something truly different, watch French filmmaker Jacques Audiard’s daring operatic drama Emilia Perez. Set against the brutality of Mexico City’s drug cartels, it’s the story of Juan ‘Manitas’ Del Monte, a swarthy, cigar-smoking, middle-aged kingpin – married with two young children – who yearns to be a woman. To achieve that end, he hires Rita Moro Castro (Zoe Saldana), an overworked, overlooked criminal defense attorney, to discreetly arrange his highly risky gender reassignment surgery in Switzerland, eventually emerging as the titular Emilia Perez (Karla Sofia Gascon), leaving his angry yet adoring wife Jessi (Selena Gomez) to believe he’s dead.

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EMILIA PEREZ – Review by Diane Carson

Emilia Pérez combines humor, suspense, and violence in a musical. Facing personal threats, Mexican cartel kingpin Manitas del Monte decides his only escape from his violent, dysfunctional life is to transition to a woman. Manitas compels the shocked lawyer Rita to find a qualified doctor to pursue his escape from an ugly life of crime. To reveal any more of the marvelous twists and turns would ruin the exhilarating roller coaster ride blending humor, suspense, violence, multiple shocks, plus fabulous singing and dancing. Director Jacques Audiard segues seamlessly through genres, whisking the audience through characters’ stunning array of emotions.

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EMILIA PEREZ – Review by Lynn Venhaus

Fearless and unflinching, writer-director Jacques Audiard’s bold fever dream of a movie colors outside the genre lines. Emilia Perez is unlike any conventional cartel crime thriller that’s gone before. It’s a comic-tinged wild ride with romance, desire, redemption and a dark side all put into play. One of the most audacious films of the year, look for it to be on many shortlists for its bravura filmmaking and triumphant acting.

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EMILIA PEREZ – Review by T. J. Callahan

Emilia Perez is one of those movies you just have to see. It will leave you speechless whether you like the film or not. No description will do it justice, it’ll only make you question what was Audiard thinking…or smoking? But with a dearth of fresh ideas in Hollywood, you have to give Emilia Perez creativity flowers as well as kudos to the entire cast who were able to bring one man’s surreal fantasy to fruition.

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LOUDER: THE SOUNDTRACK OF CHANGE – Review by Lynn Venhaus

To be seen and heard, one must speak up and speak out. And that’s the motivational message behind Louder: The Soundtrack of Change, which encourages women to believe in their power to affect change and inspire other generations by looking back at pivotal music moments. The 61-minute documentary is a collaboration by singer-actress Selena Gomez and political activist Stacey Abrams that couldn’t be more relevant. It’s an artfully composed celebration of brave, bold women who did not stay quiet when society needed a kickstart.

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AWARDS INTELLIGENCER: The Year of Ayo – Thelma Adams reports

The high-density competition for female actors at the 2024 Emmy’s is striking. In the case of The Bear’s breakout supporting character, Sydney Adamu played by Ayo Edebiri, she won the Emmy last year for Outstanding Supporting Actress in a Comedy Series. Now she’s back. This year, Edebiri’s nominated again – but she’s ascended to the Best Actress category. The field of nominees is strong, with her chief rival being Jean Smart for Hacks. Her other competition in this category is Quinta Brunson (Abbott Elementary), Kristen Wiig (Palm Royale), Maya Rudolph (Loot) and Selena Gomez (Only Murders in the Building).

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Cannes Film Festival 2024: Yes, Women Cannes – Nikki Fowler reports

This year, the Cannes Film Festival spotlighted a rich diversity within its Official Selection Jury, including prominent women like Oscar nominee Lily Gladstone (Killers of the Flower Moon) and the Jury President, Oscar-winning director Greta Gerwig (Barbie). The festival celebrated the achievements of many female filmmakers and actresses, who not only appeared on screens in the South of France but also took home prestigious awards. The festival was a powerful celebration of women’s contributions to cinema, setting a high standard for future events.

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A RAINY DAY IN NEW YORK – Review by Susan Granger

After a long delay, punctuated by scandal, Woody Allen’s new romantic comedy has been released. As always, Woody Allen’s dialogue is witty and funny, complemented by musical selections from the Great American Songbook with kudos to cinematographer Vittorio Storaro, production designer Santo Loquasto and costumer Suzy Benzinger. Bottom line: while it’s not as good as Blue Jasmine or Midnight in Paris, it’s an amusing interlude.

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