Female Film Critics 24/375
Pam & Tommy is tabloid television given an elegant veneer by its A-list cast and the fig leaf of feminism offered by the women on the production team and women like Lake Bell who direct some of the episodes. But nearly 30 years after all of this first started, this show is really just the latest chapter in the ongoing exploitation of Pamela Anderson, a woman who does not deserve it.
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Both the thin story and the bawdy jokes wear out before the credits roll, but the filmmakers pack a lot of genuine laughs into the short and surprisingly sweet 90-minute caper.
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Screenwriters Dan Sterling (“The Interview” with Rogen) and Liz Hannah (“The Post”) provide the just-right mix of the sweet and raunchy humor that made Rogen famous, while also balancing the romantic and political aspects of the comedy. It’s refreshing to actually laugh about politics for a while. It’s also bracing to see a romantic comedy free of most of the misogyny and plot machinations that have long plagued the cinematic subgenre.
Read moreReal estate values can plummet overnight. Just ask newlywed Mac Radner (Seth Rogen) and his wife Kelly (Rose Byrne), the
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