SHADOW IN THE CLOUD (TIFF20) – Review by Pam Grady

Shadow in the Cloud is like a big hit of dopamine, pure pleasure. Roseanne Liang keeps the tension high and the action flowing, but her ace is the fly girl in the turret. Chloë Grace Moretz inhabits this fearless woman with grace, athleticism, and elan. Ten years after Kick-Ass, she is still a superhero.

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SHADOW IN THE CLOUD (TIFF20) – Review by Alexandra Heller-Nicholas

A woman in extremely difficult circumstances fights to survive and have her professional expertise recognized on her merits in an industry where disgusting, violent sexual predators rise to the top. Shadow in the Cloud is a satisfying genre ride that barrels along at a cracking pace, never sacrificing its thrills for her unwavering focus on gender politics, power, abuse and the perils of being a woman in a male-dominated workplace.

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Midnight Madness Gender Parity at TIFF 2020 – Alexandra Heller-Nicholas reports

The 2020 Midnight Madness program is notable for reaching parity through an emphasis on both quantity and quality, making claims of tokenism effectively impossible. While the ethical debates around programming and equity in terms of gender and other points of difference are complex, to achieve gender parity in a program of top shelf films where 50% of the filmmakers are women and 50% are people of color is no small deal.

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