THE VILLAGE NEXT TO PARADISE – Review by Diane Carson
Directed by Somali-Austrian filmmaker Mo Harawe in his feature film debut, The Village Next to Paradise focuses on fraught family dynamics through individuals embroiled in contemporary crises. The brief opening begins with an actual news report of a senior Al-Shabaab commander killed in American drone attacks in southern Somalia near the coastal town Barawe. The narrative then follows an extended local family coping with their stressful situation. Notable for Harawe’s technical and aesthetic expertise, engrossing restraint defines the quiet, reflective moments characters experience before they respond to each, a pace so unlike that in U.S. films that often rely on immediate responses. The pauses invite careful observation of the individuals. This stylistic approach establishes both a distinctive alternative to Hollywood preferences and a most engaging strategy.
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