THE VILLAGE NEXT TO PARADISE – Review by Diane Carson

Directed by Somali-Austrian filmmaker Mo Harawe in his feature film debut, The Village Next to Paradise focuses on fraught family dynamics through individuals embroiled in contemporary crises. The brief opening begins with an actual news report of a senior Al-Shabaab commander killed in American drone attacks in southern Somalia near the coastal town Barawe. The narrative then follows an extended local family coping with their stressful situation. Notable for Harawe’s technical and aesthetic expertise, engrossing restraint defines the quiet, reflective moments characters experience before they respond to each, a pace so unlike that in U.S. films that often rely on immediate responses. The pauses invite careful observation of the individuals. This stylistic approach establishes both a distinctive alternative to Hollywood preferences and a most engaging strategy.

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Washington University’s AFRICAN FILM FESTIVAL 2025 Overview – Diane Carson reports

Celebrating its 19th year, Washington University’s African Film Festival excels at introducing “contemporary artistic production by African artists to American audiences, combating stereotypes.” Over the March 28 to 30 weekend, it will present seven short films and three narrative features, all less than two years old. From Senegal, Somalia, Nigeria, South Africa, Reunion, and Cameroon, they offer a diversity of cultures and issues, landscapes and languages. Succeeding technically and artistically, the films (and I have had the pleasure of watching all of them) dramatize insightful and poignant stories of personal and communal interaction, often against a political backdrop.

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