MOVIE OF THE WEEK April 25, 2024: PANGOLIN: KULU’S JOURNEY

Imagine a little anteater covered in armored scales that look a bit like artichoke leaves, running around on its hind feet looking for tasty ants to slurp with its prehensile tongue, only to curl up like a pill bug when it encounters a threat, and you’ll have a pretty good idea of what a pangolin looks like. And once you watch director Pippa Ehrlich’s documentary Pangolin: Kulu’s Journey, you’re likely to find yourself a staunch advocate of these endearing creatures.

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PANGOLIN: KULU’S JOURNEY – Review by Leslie Combemale

Documentarian Pippa Ehrlich won an Oscar for My Octopus Teacher, a film about the connection between a human and a creature. Her new film Pangolin: Kulu’s Journey investigates another close tie, this time between a baby pangolin and his volunteer guardian Gareth Thomas. The stakes of their particular relationship are remarkably high. The film shows the strength of connection and power to heal that interactions between humans and creatures can bring. It also considers the circle of life in a practical and enlightened way, with the inclusion of Dr Caswell Munyai, who is an expert in invertebrate biology (including ants and termites!). Kulu eats only those two bugs, and a lot of them, but Munyai knows pangolins are an important part of South African’s ecosystem.

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PANGOLIN: KULU’S JOURNEY – Review by Loren King

Pangolin: Kulu’s Journey, now on Netflix, is a revelatory look at one of oddest and most endangered mammals on earth. Most of us probably don’t know much if anything about the pangolin, an ancient creature that coexisted with dinosaurs and walks on hind legs like a tyrannosaur rex and feeds solely on ants and termites with its long, whip-like tongue. Pangolins are in danger of extinction since they are highly trafficked by poachers for the scales that cover their bodies which are used for a variety of Chinese medicines. The pangolin is particularly vulnerable because although it has acute hearing it has poor eyesight and no vocal cords. Its only defense is to curl itself into a ball.

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PANGOLIN: KULU’S JOURNEY – Review by Jennifer Merin

Pangolin: Kullu’s Journey is a documentary that stars Kulu, a charismatic baby Pangolin who has been rescued from South African criminal animal traffickers and is, in the company of a protective human guardian, learning what he needs to know so he can be released into the wild, procreate and save his species from extinction. Filmmaker Pippa Erlich (director of the equally enlightening My Octopus Teacher) closely follows Kulu and Gareth Thomas, his dedicated volunteer caregiver who narrates the process and progress as Kulu teaches himself how to survive.

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Washington University’s AFRICAN FILM FESTIVAL 2025 Overview – Diane Carson reports

Celebrating its 19th year, Washington University’s African Film Festival excels at introducing “contemporary artistic production by African artists to American audiences, combating stereotypes.” Over the March 28 to 30 weekend, it will present seven short films and three narrative features, all less than two years old. From Senegal, Somalia, Nigeria, South Africa, Reunion, and Cameroon, they offer a diversity of cultures and issues, landscapes and languages. Succeeding technically and artistically, the films (and I have had the pleasure of watching all of them) dramatize insightful and poignant stories of personal and communal interaction, often against a political backdrop.

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LION SPY – Review by T. J. Callahan

Statistics estimate there are only 20,000 wild lions left in Africa. 25 African countries have no lions left. What’s happening to the king of beasts? That’s the question filmmaker Joni “Rogue” Rubin, a photographer and activist asked herself and she set out to find the answer. Her brutally honest documentary, Lion Spy, is the result. Born in South Africa, but living and working in Australia, Rubin returned to her birth country to go undercover to expose the big-game trophy hunting industry. Lion Spy is not an easy watch. One minute a giraffe is regally standing tall eating leaves from the top of a tree and the next minute he’s felled by a bullet and propped up for a photo. Rubin doesn’t “airbrush “ anything. It’s her mission to save the lions and other endangered creatures and the raw footage may be the spark for new legislation.

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GLASSHOUSE (Fantasia 2021) – Review by Alexandra Heller-Nicholas

Kelsey Egan’s Glasshouse from South Africa is a masterclass in how small-scale fantastic allegory and its world-building potential can provide fertile ground with which to examine the stain of colonialism itself on that country’s cultural imagination. The film centers on a mother, her three daughters and her son, who have protected themselves from an airborne contagion which has ravaged society, causing a dementia-like condition in those who inhale the infected air. Although never articulating colonialism as a central thematic focus of the film, its presence is thus escapable, and Glasshouse excels in its understanding of how the mechanics of genre cinema itself allow them to strip back the specifics of history itself to get at its heart.

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MY OCTOPUS TEACHER – Review by Diane Carson

The lovely, surprising documentary My Octopus Teacher features, as the film title accurately states, a wild octopus that educates the central character, Craig Foster. He becomes enlightened and enriched regarding the multiple ways a partnership with nature, this one octopus in particular, benefits an individual. As astonishing as it is heartwarming, Foster generously shares an incredible journey.

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