AWFJ Presents: AMOUR FOU – Review by Marilyn Ferdinand

The careful framing, gorgeous period settings, brilliantly orchestrated set-pieces, and vibrant colors of this film are a feast for the eyes, and I admired the subtle performances of this uniformly fine cast, especially Birte Schnoeink. She initially emerges as a shallow hausfrau without a thought in her head that her husband and acquaintances haven’t put there. As her situation grows more dire and her choices narrow, our laughter gives way to concern and a contemplation of what we owe to society and what we owe to ourselves. There is a shocking ambiguity to her actions and a genuine poignancy to her growing attraction to the eternal, but is she the victim of yet another man dumping his desires into her empty cranium? Trapped between two equally distressing outcomes from the audience’s point of view, we wait anxiously for Henriette to make her choice.

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