KIMI – Review by Susan Granger

Steven Soderbergh’s low-budget techno-thriller revolves around a next-generation virtual assistant, like Siri and Alexa, but named Kimi. Paranoid Angela Childs is a tech analyst, working remotely from her sprawling Seattle loft/apartment. Since she’s agoraphobic, she spends a great deal of time looking out of the window. So do her nosy neighbors Terry from across the street who makes periodic booty calls and creepy Kevin armed with binoculars

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NO SUDDEN MOVE – Review by Susan Granger

Steven Soderbergh’s created a stupefying ‘noir’ trip back to 1954 in Detroit, where ex-con Curt Goynes is eager to pocket $5,000 to re-claim land that was taken from him. When he visits his buddy’s barber shop, he’s sent to the back alley where he’s hired to hold the Wertz family hostage while the husband/father, an accountant at General Motors, is forced to steal engineering specs.

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LET THEM ALL TALK – Review by Diane Carson

Director Steven Soderbergh takes a casual approach in his latest film, Let Them All Talk. In fact, so casual that his cast improvised the lion’s share of the interactions, spontaneously expressing what they thought and felt. When the three central actresses are Meryl Streep, Candice Bergen, and Dianne Wiest, that’s not too risky a venture, though conversations often meander.

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LET THEM ALL TALK – Review by Karen Gordon

There’s a lot more going on than meets the eye in Steven Soderbergh’s wise and deceptively breezy new film Let Them All Talk. The film centers around Alice (Meryl Streep) a successful Pulitzer Prize winning author. She’s working on a new novel, and her publisher, represented by her eager-to-please new agent Karen (Gemma Chan), is hoping that it’s a much longed-for sequel to her prize-winning novel You Always/You Never.

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LET THEM ALL TALK – Review by Susan Granger

Steven Soderbergh turns a transatlantic crossing into three talented actresses in search of a script. Mercurial, manipulative Alice Hughes (Meryl Streep) is an acclaimed author who journeys to London to receive a prestigious literary award. Since she doesn’t fly, she’s booked on Cunard’s luxurious Queen Mary II and allowed to invite several guests to accompany her.

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