SUPERGIRL – Review by T.J. Callahan

Warner Bros producer James Gunn, director Craig Gillespie, and writer Ana Nogueira have teamed up to bring some estrogen-fueled muscle to the DC movie universe with Milly Alcock as Supergirl. This Supergirl has a darker, grungy vibe as if Mad Max teamed up with the Guardians of the Galaxy for some coming of age Star Wars. The Australian Alcock (House of Dragon, Sirens) brings a lot of strength, swagger and sarcasm, but gurrrl, this film isn’t super. Call it So-So Girl. All the components are there for a box office blockbuster, but Kara from Krypton, with a chip on her shoulder, chaotically cavorts with crazy characters through cosmically clunky confrontations that look great, but are less fulfilling.

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SUPERGIRL – Review by Susan Kamyab

While America celebrates the red, white, and blue, the box office is embracing red, blue, and yellow — as Supergirl flies into theaters. The question is: does the latest DC adventure soar to the same heights as last year’s crowd-pleasing, Superman? Despite its flaws, there remains clear promise in Milly Alcock as Kara Zor-El. With the tease of a potential team-up with Superman, audiences can look forward to her character thriving in a future installment, particularly with more screen time alongside David Corenswet.

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WEEK IN WOMEN: Supergirl Soars, Gal Gadot Speaks, SAG-AFTRA Counsels — Brandy McDonnell

Look! Up in the sky and on the big screen: Warner Bros and DC are developing a feature film based around Supergirl. The similarly superpowered cousin of Superman, will finally get a chance at silver-screen redemption after the fizzle of her widely planned 1984 film starring Helen Slater. Gal Gadot fans will hear the Wonder Woman star’s voice as the tough and gritty Shank in Walt Disney Animation Studios’ Ralph Breaks the Internet, which hits theaters this Thanksgiving. SAG-AFTRA and the SAG-AFTRA Foundation are working together to provide workplace sexual harassment counseling services for members of the union. The services are administered by trained counselors at The Actors Fund, a national human services organization for entertainment, media and performing arts professionals.

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THE WEEK IN WOMEN: Hollywood’s ‘pink razor remakes’ shave women directors, SUPERGIRL in OK, RIP Melissa Mathieson and more – Brandy McDonnell reports

Hollywood green lights remakes for their relative ease and built-in audiences, but we don’t need more of them — especially not as a quick fix for Hollywood’s ongoing gender issues. Instead of forcing audiences to settle for remakes, how about the studios investing in projects by women screenwriters and directors with proven skills? Read THE WEEK IN WOMEN

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