MOVIE OF THE WEEK September 13, 2019: ANGEL OF MINE

Moody and atmospheric, Kim Farrant’s Angel of Mine is part psychodrama, part thriller. Thanks to Farrant’s strong storytelling and confidently convincing performances from stars Noomi Rapace and Yvonne Strahovski, the film brings depth and nuance to its compelling tale of a woman convinced that her long-dead baby is actually alive and being raised by another family.

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MOVIE OF THE WEEK September 6, 2019: TIGERS ARE NOT AFRAID

Gritty and raw, Issa Lopez’ dark urban fairy tale Tigers Are Not Afraid (titled Vuelven in Spanish, which translates to They Come Back) centers on the devastating consequences of the drug trade, showing how the cartels’ criminal ways affect everyone in their path — including children, whose innocence disappears as quickly as the grown-ups in their lives.

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MOVIE OF THE WEEK August 9, 2019: Jennifer Kent’s THE NIGHTINGALE

Beautifully filmed yet brutal to watch, Jennifer Kent’s The Nightingale is a revenge drama that will resonate with any woman who’s been assaulted — or, for that matter, dismissed by society. Set in 1825 Tasmania, it follows the plight of Clare, an Irish convict who’s suffered years of abuse at the hands of a British officer and is driven by his brutality to seek brutal revenge. The Nightingale is difficult to watch, but it is most certainly a must see.

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MOVIE OF THE WEEK June 28, 2019: Claire McCarthy’s OPHELIA

Much analyzed and, according to many, much misunderstood, Ophelia has always been one of Shakespeare’s most enigmatic characters. With Ophelia, director Claire McCarthy and screenwriter Semi Chellas aim to demystify Hamlet’s lady love, turning her into a smart, fully fleshed-out woman with spirit and agency.

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MOVIE OF THE WEEK June 28, 2019: MAIDEN

As tense and exciting as anything scripted in Hollywood, Alex Holmes’ documentary Maiden is all the more remarkable for being a true story. It takes viewers back to 1989, when Tracy Edwards, then 24, became the first skipper of an all-female sailing crew to enter the Whitbread Round the World Race. Facing both the elements and skepticism from the establishment, Edwards and her team defied expectations — and scored a victory for feminism in the process.

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MOVIE OF THE WEEK June 21, 2019: LATE NIGHT

Cross The Devil Wears Prada with 30 Rock, and you might get something like Late Night, director Nisha Ganatra’s timely comedy about a starry-eyed young comedy writer named Molly (Mindy Kaling) who gets the chance of a lifetime when she’s hired to work for iconic late-night talk show host Katherine Newbury (Emma Thompson). Written by Kaling, the movie mixes behind-the-scenes showbiz humor with smart observations about what it’s really like for women to break down barriers.

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MOVIE OF THE WEEK June 7, 2019: ALWAYS BE MY MAYBE

Even when you have a pretty strong sense of how it’s going to end, there’s something immensely appealing about a good, old-fashioned romantic comedy; they’re the comfort food of movies. And while Nahnatchka Khan’s “Always Be My Maybe” is, thankfully, refreshingly NEW-fashioned in terms of representation — and has some genuinely surprising comic elements — it’s exactly the kind of romcom that’s perfect to curl up in front of on a Saturday night. (Plus, it has a subplot all about actual comfort food, so there’s that.)

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MOVIE OF THE WEEK May 31, 2019: Rachel Carey’s ASK FOR JANE

Movies don’t get much more timely than Ask for Jane, director Rachel Carey’s earnest, fact-based feature film debut about a group of young college women in pre-Roe v. Wade Chicago who formed the Jane Collective, an underground organization that defied current laws and risked criminal prosecution to help women with unwanted pregnancies secure safe medical abortions.

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MOVIE OF THE WEEK May 17, 2019: Amy Poehler’s WINE COUNTRY

If you can’t get to wine country with your own girlfriends anytime soon, you could do far worse than tagging along with Amy Poehler, Maya Rudolph, Rachel Dratch, and their crew as they celebrate female friendship in all its messy glory. Blending crisp whites and robust reds with both humor and introspection, Wine Country is like a cross between a buddy comedy and a midlife-crisis therapy session.

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MOVIE OF THE WEEK April 26, 2019: Jennifer Townsend’s CATCHING SIGHT OF THELMA & LOUISE

Few films have made the kind of impact on feminist-minded moviegoers as Thelma & Louise did when it hit theaters in 1991. Ridley Scott’s story of female friendship and empowerment struck a powerful chord with women (yes, men, too, but let’s let the ladies own this one) — one that still resonates almost three decades later. In the compelling documentary Catching Sight of Thelma & Louise, director Jennifer Townsend, helming her first film at age 80, digs into exactly why the movie had — and continues to have — such an impact.

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