AFTER THE WEDDING – Review by Diane Carson

With today’s omnipresent information, shadow lives can be discovered and made public, and some decisions merit reconsideration. There are astonishing inequities between rich and poor in the U.S. and India, or almost anywhere in the U.S. But there’s a delicacy needed to presenting ideas for consideration, less can be more. Here the inequity is cast aside as the plot device it is, and the degree of Theresa’s stridency as an abusive boss telegraphs the lack of complexity with added misogyny.

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MOVIE OF THE WEEK August 23, 2019: AFTER THE WEDDING

Boasting powerful star performances by Michelle Williams and Julianne Moore and a story with big, emotional twists, Bart Freundlich’s “After the Wedding” is a gender-swapped remake of Susanne Bier’s same-named 2006 Danish drama. It’s a thought-provoking look at life choices, legacy, and motherhood that will stick with you after the credits roll.

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AFTER THE WEDDING – Review by Erica Abeel

In remakes of foreign films American directors sometimes copy the source almost to the letter. Other times they update their own version to reflect current issues. In After the Wedding Bart Freundlich and his team make the worthy effort of tweaking the original to bring women to the forefront. But much of the original’s savor is lost in translation.

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BIRD BOX – Review by Nikki Baughan

Susanne Bier is a filmmaker with an innate ability to mine the painful truths of the human experience in a way that is both deeply intimate and profoundly universal. And so it is with Bird Box, her first foray into genre filmmaking, that distills the daunting responsibility of parenthood into one woman’s seeming impossible journey of survival in a world overrun by unseeable monsters.

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Carey Mulligan on Strong Women Characters, Women Directors and FAR FROM THE MADDING CROWD – Jennifer Merin interviews (Exclusive Video)

Carey Mulligan discusses playing Bathsheba Everdene, the independent heroine in the new cinematic version of Thomas Hardy’s classic female-centric novel,

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SPOTLIGHT April, 2015: Susanne Bier, Director

bier9headSusanne Bier’s In A Better World won the Best Foreign Film Oscar in 2011, putting her on Hollywood’s A-List. But transitioning from Copenhagen to Hollywood has been challenging. Bier’s Hollywood-honed Serena opened in March, 2015. after a two-year delay. Her extraordinary talent and unstoppable persistence put Bier in our April SPOTLIGHT. Read on…

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