PASSING (Sundance2021) – Review by Pamela Powell

Rebecca Hall’s impassioned feature directorial debut, “Passing,” is based on Nella Larsen’s 1929 novel of the same name. The story depicts two Black women who were once childhood friends, Clare who ‘passes’ for white and Irene who’s troubled by her own ability to do so, who are unexpectedly reunited. Their chance encounter will change their lives forever as they are pushed to look at the world through a different lens.

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MEN IN BLACK: INTERNATIONAL – Review by Susan Granger

Years ago, Will Smith used to brag that he (via his movies) “owned” the Fourth of July. No more! Without charismatic Will Smith and Tommy Lee Jones, this reboot is like a firecracker that barely fizzles.

The stand-alone story revolves around Molly (Tessa Thompson), a young Brooklyn woman whose love for Stephen Hawking’s A Brief History of Time and childhood memories of her parents being neuralyzed by MIB after seeing an alien has given her insight into what’s invisible to most Earthlings.

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LITTLE WOODS – Review by Roxana Hadadi

The Western genre has experienced a modern resurgence over the past few years with narratives that pull focus away from the genre’s hypermasculine origins and toward stories that are more individualistic, more character-driven. in Little Woods, Nia DaCosta, Tessa Thompson, and Lily James have created something tense, timely and empathetic, expanding the Western genre and adding another slice of American life to it.

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