Whistler Film Festival Filmmaker Interview: Aimee Long on A SHOT THROUGH THE WALL

Inspired by a true event, A Shot Through The Wall is about an Asian American police officer who accidentally discharges his weapon during an investigation, killing a black teenager through an apartment wall. The case spirals out of control as the incident is deemed police racial bias.

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Whistler Film Festival Filmmaker Interview: Wendy Morgan on SUGAR DADDY

Some films jump off the screen to announce the arrival of vital new talent. Such is the case with Wendy Morgan’s Sugar Daddy, starring Kelly McCormack in a tour de force performance as Darren, a new age music composer and performer who is trying to break into the record industry. Sugar Daddy is the opening film for Whistler Film Festival 2020.

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Whistler Film Festival Filmmaker Interview: Niav Conty on SMALL TIME

Niav Conty’s Small Time is about childhood, family, and the role models around us. Stubborn patriotism, dogmatic faith, and the sexualization of young women are all themes that swirl around in this tragic story about a ten year old girl surrounded by addicted adults. Your heart goes out to her.

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Whistler Film Festival Filmmaker Interview: Ali Liebert on THE QUIETING

The Quieting tells the story of Maggie, an anxious and newly queer woman on the eve of her first date with a woman. She is thrown into the throes of self-doubt and fear is confronted by an unexpected guest. Sara Canning and Julia Sarah Stone star in this psychological thriller by Ali Liebert that snaps the struggle of identity sharply into focus.

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Whistler Film Festival Filmmaker Interview: Elinor Nechemya on OUR HEARTS BEAT LIKE WAR

With his eyes in a fantasy book and his ears to the horrific testimony of an Eritrean refugee, nine-year-old Sinai falls asleep at his mother’s workplace, and his mind drifts away. In his sleep his mother tells him a surrealistic fairytale about a Syrian refugee family living in Sweden. This “fairytale” is about a young Syrian boy who falls into a coma-like situation after the family receives a deportation letter from the government.

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Whistler Film Festival Interview: Susan Rodgers on STILL THE WATER

A former museum curator, Susan Rodgers’ film career started with a wardrobe continuity gig on the television show Emily of New Moon. Soon a box of wartime letters discovered in an attic launched her first film, the half-hour period drama Bobby’s Peace. Rodgers’ inaugural feature film, Still The Water, was completed in the spring of 2020.

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Whistler Film Festival Filmmaker Interview: Emily Dickinson on MARCH

First time director Emily Dickinson’s narrative short March takes place in 2024, and follows an American woman in her mid-twenties, as she travels to Canada to get a now-illegal abortion. A day in her life showcases abortion tourism, the current state of relations between the two neighbouring nations, the implications of a misogynist government, and the resilience of women. March is nominated for the EDA Award for Best Female-Directed Short at Whistler Film Festival 2020.

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Whistler Film Festival Filmmaker Interview: Ariane Louis-Seize on SHOOTING STAR

On a family trip to observe the shooting stars, Chloé, a withdrawn teenager, discovers a dazzling attraction for her mother’s new boyfriend. Ariane Louis-Seize likes to write and film unconventional characters who break down barriers by acting as we would never dare to do ourselves.

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Rama Rau Talks HONEY BEE and Trafficking- Jennifer Merin interviews

In Rama Rau’s Honey Bee, Natalie is an underage truck stop hooker working for a pimp who claims to love her, but regularly abuses She is stopped by authorities and sent to a home, actually a working farm, run by a tough love matriarch played with authority by Martha Plimpton. Honey Bee is a moving and credible drama that points out the dead-end choices that many young women are given little option but to make. The film won AWFJ’s EDA Award for Best Female-Directed Feature at 2018 Whistler Film Festival. The film is releasing online November 10.

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