PLAYLAND (Tribeca 2023) – Review by Beth Accomando

This documentary is a love letter to the people, the place, and the transgressive sense of rebellion that defined Playland. Georden West understands that such a love letter needs to be as subversive as the object of its desire. If you try to identify a narrative or a historical timeline from the film you will be frustrated and disappointed, but if you succumb to its sumptuous visual design and sense of ephemeral memory then you will be richly rewarded.

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