ALWAYS LALISA – Review by Sarah Ward

To peruse the track listing for Lisa’s album Alter Ego is to discover many of Always Lalisa’s themes. Focused on the Blackpink star while she explores her independence and individual creativity during the girl group’s year-long hiatus, and as she releases her debut solo studio record, this is a documentary about a dream and an artist born again. It’s about a new woman daring to fuck up her world (or “fxck” up, as her song title censors it) as well. Always Lalisa also tells of Lalisa Manobal letting down her hair to unleash her thunder and, at times, her inner rockstar, showing her elasticity outside of the tightly controlled K-pop idol realm. And, it probes the lifestyle required by an industry and its well-oiled machinery that first thrust her to global attention.

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THE WHITE LOTUS – Review by Martha K Baker

Set in a luxurious Hawaiian resort, The White Lotus is about entitlement, or “enwhitelment,” as a comedian labeled it, with people of color at the beck of white people as described by creator Mike White. But it’s also about political correctness, parenting, and complicity, about secrets and stealing and sex. The White Lotus satisfactorily delivers, just remember that “Aloha” means both “hello” and “goodbye.”

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THE WHITE LOTUS – Review by Susan Granger

As the plot of Mike White’s new HBO series unfolds, it’s as if Fantasy Island merged with The Love Boat. In the opening shot, a casket is being loaded onto a plane. It’s a mysteriously ominous beginning that soon shifts to a tropical island where smiling Armond , the smarmy resort manager, and his newly hired assistant Lani prepare to welcome new guests as they arrive at the luxurious White Lotus Hotel.

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