Female Film Critics 24/375
Do you remember Dumb and Dumber, Me, Myself & Irene or Shallow Hal? If yes, then you already know that only Mr. Peter Farrelly could capture subtle humor and combine it with drama where two absolutely different actors act in one movie to deliver something that you can watch at any time, in any weather, or on Christmas eve called Green Book.
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Welcome to the worst episode of West Wing, ever, as directed by Jason Reitman trying to channel Robert Altman. Never has Altman’s signature overlapping dialogue and large, panoramic casts been so ill-used than in this pallid distillation of what went wrong with Colorado Senator Gary Hart’s 1988 presidential campaign.
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Roma unreels like memory, blending quotidian scenes of family life with dramatic historical moments (an earthquake, student unrest), and leavening bits of absurdity. Exquisite sound design and director Alfonso Cuaron’s own shimmering black-and-white cinematography add to the pleasure of this warm, evocative drama,’s own shimmering black-and-white cinematography add to the pleasure of this warm, evocative drama,
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Louis Garrel spins a compact , buoyant romantic farce in which he stars as Abel, sweet, passive, and buffeted by the whims of others. Rejected first by Marianne (Laetitia Casta, Garrel’s wife) in favor of his friend Paul, the pair reunites years later, with some unexpected adjustments.
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Jake Gyllenhaal and Ed Oxenbould deliver fine performances, but Wildlife is the Carey Mulligan show. Her old friend Paul Dano has given her a present, which she graciously gifts him back with one of the towering performances of her career.
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Viola Davis, Michelle Rodriguez, and Elizabeth Debicki are the women of the title, drawn together after their criminal husbands are killed in a shootout with Chicago police. Left with their spouses’ debts to some very bad men, the women have no choice but to pick up with their old men let off.
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