THE HOLDOVERS (TIFF 2023) – Review by Emma Badame

Filmmaker Alexander Payne’s latest offering is not particularly original in any of its elements and doesn’t attempt to break any new ground, but as it transpires, that’s not at all a bad thing. Well-acted, lovingly directed, and sharply written by David Hemingson, The Holdovers is a warm, nostalgic hug of a film that harks back to a specific and beloved era of filmmaking. Payne sets the film in the early ‘70s to allow for a showcase of his vintage favorites. From the soundtrack to the color palette, he immerses his film in everything of the era and it truly works in the film’s favor.

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BYE BYE TIBERIAS (TIFF 2023) – Review by Valerie Kalfrin

An exploration of memory, separation, and connections fractured but not broken, Lina Soualem’s Bye Bye Tiberias puts Hiam Abbas (adored actress and the filmmaker’s mother) under the microscope, comparing some of her life’s choices with those of her mother and grandmother and the changing landscape around their homeland. Shown at the Toronto International Film Festival (TIFF), the film is a deeply personal, layered journey that demonstrates how we can try to uncover the past but never truly know it.

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NORTH STAR (TIFF 2023) – Review by Liz Braun

Dame Kristin Scott Thomas makes her feature directorial debut with North Star, a family tale about love and loss with a great cast. A lesser cast and better writing would have improved matters, but never mind. The plot revolves around the reunion of three sisters who are gathering at the family home for their mother’s third marriage. Mom (Scott Thomas) has been twice married and twice widowed, a detail from Scott Thomas’ own life. As a child, the filmmaker lost her father and her stepfather — both armed forces pilots — within six years.

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THE MOVIE TELLER (TIFF 2023) – Review by Emma Badame

Cinematic love letters to the art and magic of movies are common enough and more often than not, are told from the perspective of a young boy, eager to experience all the technicolor adventures on the big screen have to offer. With The Movie Teller (La Contadora de Películas), Danish filmmaker Lone Scherfig has not only gifted to audiences a moving, captivating ode to both movies and the power they have to create and bind communities, but one told–for a change–from the perspective of an imaginative young girl with a talent for storytelling herself.

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Ena Sendijarević talks SWEET DREAMS (TIFF 2023) – Tara Karajica interviews

Bosnian-Dutch filmmaker Ena Sendijarević’s her sophomore film is set on a remote Indonesian island during the waning days of the colonial era. Sweet Dreams is the story of two women who are left to their own devices after the death of Jan, patriarch owner of a sugar plantation. Sendijarević grew up in the Netherlands, a country with a long and atrocious imperialist past. “I never learned anything about it when I was [in] school. She wanted to know more about it and got the idea to do something with it on film.

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RU (TIFF 2023) – Review by Liz Braun

Kim Thuy came to Canada as one of the million “boat people” fleeing Vietnam in the late 1970s after Communist victory in the war. Thuy wrote of her experiences in Ru, a 2009 bestselling memoir that was eventually translated into 30 languages and won her a slew of awards all over the world. One person who championed the book was TIFF CEO Cameron Bailey, who represented the book at the 2015 edition of Canada Reads, an annual battle-of-the books event broadcast nationally by the country’s public broadcaster, the CBC. It seems fitting that the superb film version of Ru had its world premiere at TIFF 2023.

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Kim Thuy on RU (TIFF 2023) – Liz Braun interviews

Award-winning Canadian author Kim Thuy recently had the experience of seeing her best-selling novel, Ru, transformed into a film of the same name. She watched along with TIFF audiences who were present at the world premiere. Ru is Thuy’s own story about coming to Canada in childhood as one of the “boat people” who fled Vietnam in the ‘70s after the fall of Saigon. The vignettes and closely observed moments in her memoir are captured and woven together into a beautiful film from director/writer Charles-Olivier Michaud, co-writer Jacques Davidts and cinematographer Jean-Francois Lord.

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QUIZ LADY (TIFF 2023) – Review by Tara Karajica

Jessica Yu’s latest film, Quiz Lady, is an amusing, fast-paced and flamboyant comedy that doesn’t let your thoughts wander away, but has you instead focused just like when you are about to answer a question on a quiz, much akin to the title character, the “quiz lady” of the film, Anne Yum. Quiz Lady makes for an effervescent, colorful and delightful watch and Jessica Yu does marvels on the silver screen.

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Jessica Yu talks QUIZ LADY (TIFF 2023) – Tara Karajica interviews

Helmer Jessica Yu directs Sandra Oh and Awkwafina in her latest outing for Disney/Hulu, Quiz Lady. The film deals with sibling dynamics and how, at the end of the day, no matter how different they are, they end up loving each other. “I think what they go through actually ends up reminding them of how much they have shared together in life and how much they actually appreciate each other. We don’t really see that many comedies about sisters and so, that was attractive to me,” Yu comments.

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THE ROYAL HOTEL (TIFF 2023) – Review by Emma Badame

Australian director Kitty Green’s second narrative feature The Royal Hotel is a wholly unnerving and totally engrossing thriller. Atmospheric and all too realistic, it’s the kind of story that sticks with you long after the credits have rolled. The film is paced to perfection and each and every well-planned element is woven expertly together to build layers upon layers of truly discomforting suspense. With Green’s keen eye the film becomes a riveting exploration of isolation and what it truly feels like to be a young woman in the world. It helps too that Julia Garner and Jessica Henwick nail their characters.

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