BONES AND ALL – Review by T. J. Callahan

Bones and All, based on a YA novel of the same name, stars Timothee Chalamet and Taylor Russell as the wayward young couple searching for who they are and who’s going to be their next meal. Character actor extraordinaire, Mark Rylance is Sully, a seasoned people-eater who’s
equal parts mentor and maniac. Director Luca Guadagnino mixes the bloody horror he orchestrated in Suspiria with the peachy romance from Call Me By Your Name as we follow the pair across the Midwest in stolen vehicles with stolen dreams.

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BONES AND ALL – Review by Diane Carson

Bones and All uses cannibalism to argue for compassion. Of the many truly terrific fifteen films I saw at the Telluride Film Festival this past year, Bones and All is the only film I can not wholeheartedly recommend. For it presents, with some reserve, cannibals, those who in fact are the living eating the living. And director Luca Guadagnino introduces it without holding back in an early scene.

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DUNE – Review by Diane Carson

We’ve waited a long time for director Denis Villeneuve’s Dune, and, yes, it has been worth the wait in terms of its overpowering visuals and sound design. The technical elements do all but smother the ecological, sociopolitical critique, but it’s there in battles for the rare commodity spice, imperialist incursions affecting the native Fremin culture, and the imperial family skirmishes.

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DUNE – Review by Susan Granger

Since its publication in 1965, Frank Herbert’s epic tale has become one of the most popular sci-fi novels of all time. No wonder that filmmakers have grappled with interpreting its vast, complex story. French Canadian writer/director Denis Villenueve begins his $165 million extravaganza with “Part I.”

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THE POST DISPATCH – Review by Susan Granger

Deftly scripted as an absurdly fanciful anthology, filled with piquant caricatures, The French Dispatch is meticulously crafted by Wes Anderson as an inventive, whimsical tribute to several generations of mannered storytellers who enriched the American literary landscape

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A RAINY DAY IN NEW YORK – Review by Susan Granger

After a long delay, punctuated by scandal, Woody Allen’s new romantic comedy has been released. As always, Woody Allen’s dialogue is witty and funny, complemented by musical selections from the Great American Songbook with kudos to cinematographer Vittorio Storaro, production designer Santo Loquasto and costumer Suzy Benzinger. Bottom line: while it’s not as good as Blue Jasmine or Midnight in Paris, it’s an amusing interlude.

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BEAUTIFUL BOY – Review by Susan Granger

This is the true story of a frantic father dealing with his son’s crystal methamphetamine addiction. Set in Northern California, it revolves around veteran Marin County journalist David Sheff (Steve Carell), who lives with his troubled 18 year-old son Nic (Timothee Chalamet) from previous marriage, his second wife Karen (Maura Tierney) and their two young kids.

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BEAUTIFUL BOY – Review by Martha K. Baker

Beautiful Boy proves hard and essential to watch. Who’s going to see this earnest film? Drug addicts? Their siblings? Their parents. Maybe advocates and therapists and counselors? Beautiful Boy conflates two books by the father of the beautiful boy and the title character himself. The one is the paternal protector, the other the addict.

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