TAR – Review by Susan Granger

Cate Blanchett delivers a powerhouse performance as an acclaimed concert conductor/composer in Todd Fields’ revelatory Tar. Our first glimpse of Lydia Tar (Blanchett) is a tall, slim, confident woman, stylishly dressed in a black suit and crisp white shirt, luxuriating in her celebrity while preparing to take the stage in Manhattan for a New Yorker talk with writer Adam Gropnik (as himself).

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TÁR – Review by Diane Carson

Writer/director Todd Field’s captivating TÁR opens with real “New Yorker” writer Adam Gopnik in an extended Manhattan stage interview with the fictional Lydia Tár. This establishes her career highlights as well as her emphatically egotistical persona, anticipating what follows in Lydia’s personal and professional life as the first conductor for the prestigious Berlin Philharmonic preparing to record Mahler’s fifth symphony.

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TÁR – Review by T.J. Callahan

Cate Blanchett IS Lydia Tár. The Oscar winning actress gives a masterclass interpretation of a masterclass musician. A devious bully that beats to her own metronome. Blanchett, who switches from English to German flawlessly, not only learned to play several instruments for the role, but she did her own conducting, twirling the orchestra baton like a musical majorette. Blanchett is better than the movie, though.

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Telluride Film Fest 2022: A Woman’s Wrap – Diane Carson reports

Over Labor Day weekend, the 49th Telluride Film Festival presented thought-provoking films to its full complement of attendees, a nice rebound from the all-mask 2021 event. As always, no one could come close to seeing all the enticing films on offer, so tough choices and constant second guessing rules. This year women directed and dominated exceptionally strong selections that tell stories of quite different time periods and subjects. Intelligently and insightfully observing internal and external struggles, revealing the specificity of contemporary and historical pressures (so remarkably relevant today), the fest’s films reached out and inspired as they informed. We are, indeed, a global community.

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TAR – Review by Serena Seghedoni

In TÁR, writer, director and producer Todd Field (In The Bedroom) provides us with the character study of a brilliant, pretentious, cruel genius who gets no redemption by the time the credits roll. Is the filmmaker making a point about the nature of art, talent and creativity? Is he showing us a successful woman who just so happens to be a horrible person and asking us if we’d judge her as harshly if she were a man? Or is he turning the tables on us, showing us that a sexual predator – which is arguably who Lydia Tár eventually turns out to be – doesn’t always look like what we’d expect them to be?

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