MAY DECEMBER (Melbourne IFF 2023) – Review by Alexandra Heller-Nicholas

Todd Haynes is back, immersing himself neck deep in the exact kind of melodrama that he has thrived on throughout his illustrious career. It’s excess ahoy as it be expected, and the screen crackles with the electric ferocity of Julianne Moore and Natalie Portman’s on-screen chemistry. Considering the icky subject matter, then, the film requires a fairly delicate balance; the subject of women sex offenders is not a common site of interest in screen culture. While the camp excesses of the film would in the hands of a lesser filmmaker perhaps push the film into the terrain of bad taste, in Haynes hands, there is enormous empathy for the situation.

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Girls to the Front at Tribeca FF 2022’s Retrospective Screenings – Alexandra Heller-Nicholas reports

Running from the 8th to 19th of June, all eyes are cast as perhaps to be expected on the Tribeca Film Festival’s rich offerings of premiere screenings. But scratch the surface of the program and just as exciting is the superbly curated series of retrospective screenings, including a notable and diverse array that are either directed by women, or have women in central, significant production roles.

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For Valentine’s Day 2020: Men We Love

To celebrate Valentine’s Day 2020, AWFJ is posting this virtual Valentine to express our love for and to honor our male colleagues who’ve embraced the causes of gender parity and inclusively, and whose work has and is leveling the playing field for women working in film. For many of them, advocacy and activism for better representation of women on camera and behind the lens dates back to before #MeToo became an iconic hashtag and the feminist movement marched into the spotlight.

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DARK WATERS – Review by Diane Carson

In the vein of Erin Brockovich and Spotlight, Dark Waters charts the marathon, eighteen-year legal investigation and fight to hold DuPont responsible for lethal contamination of water in and around Parkersburg, West Virginia. This gripping, true story uncovers DuPont’s appalling dumping of over seven thousand tons of the toxic, nonbiodegradable chemical known as C8 or PFOA.

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DARK WATERS – Review by Susan Granger

While the topic of whistleblowing is timely, this legal drama, inspired by true events, gets bogged down in dull procedural trivia. Back in 1998, Cincinnati corporate environmental defense attorney Robert Bilott was approached by a desperate West Virginia farmer, Wilbur Tennant who told him that toxic waste from DuPont was either causing disastrous birth defects and/or killing his cows.

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CAROL – Review by Loren King

Carol begins in the days leading to Christmas — all those reds and greens!— because the lonely season is a fitting time for two longing souls to meet and fall in love. Carol is a Christmas movie: the melancholy, the longing, the flashes of joy and anticipation, the rushes of despair. And, finally, hope — as a new year unfolds and love steps out of the shadows.

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AWFJ Movie of the Week, November 17-November 23: CAROL

Opening November 20, AWFJ’s Movie of the Week is Carol, director Todd Haynes (Far From Heaven, I’m Not There sumptuous new drama staring Cate Blanchett and Rooney Mara as two women who are drawn to each other in the strict moral landscape of 1950s New York. Read on…

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