THE TENDER BAR – Review by Susan Granger

Directed by George Clooney, this gentle, coming-of-age story revolves around J.R. (played as a child by Daniel Ranieri, then by Tye Sheridan), growing up in Manhasset, Long Island, during the late 1970s/early 1980s with his single mother Dorothy (Lily Rabe), cantankerous grandfather (Christopher Lloyd) and affable Uncle Charlie (Ben Affleck), who proudly drives a stunning blue-green Cadillac convertible.

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THE TENDER BAR – Review by Diane Carson

Director George Clooney has a refined touch, by which I mean that without understatement and restraint The Tender Bar could have easily tipped over into sentimental mush, which it doesn’t. Instead, it presents a snapshot of 1970s and 80s working class individuals inhabiting Manhasset, Long Island and New Haven, and the communities they share. Based on J.R. Moehringer’s 2005 memoir of that title, the story focuses on J.R. at two decisive stages of life: as an impressionable boy and a student at Yale.

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THE CARD COUNTER – Review by Diane Carson

Buried deep within his PTSD throughout The Card Counter, William Tell, aka Bill Tillich, robotically counts cards at blackjack and poker. William had time to develop this talent during ten years in prison, using incarceration to his advantage. Now, rambling alone from casino to casino, he wins enough to get by but never so much the pit boss hassles him.

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VOYAGERS – Review by Susan Granger

Prolific Neil Burger (Divergent, Limitless) wrote and directed this YA sci-fi thriller that imagines a dystopian future in 2063, when Earthlings only hope for the survival of the human species is to colonize a hospitable planet located in a faraway galaxy. It will take 86 years for a crew to go that distance, so 30 test-tube-conceived youngsters are dispatched on a mission during which they’ll reproduce so their grandchildren can settle Earth’s new colony.

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AWFJ Movie of the Week, July 13-19: THE STANFORD PRISON EXPERIMENT

Opening July 17, AWFJ’s Movie of the Week is The Stanford Prison Experiment, the dramatisation of the real-life events of 1971 when a Stanford professor cast his students in the roles of guards and prisoners to examine the ritual abuse in the prison system. Read on…

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