HITLER’S HOLLYWOOD – Retroview by Jennifer Merin

Filmmaker Rudiger Suchsland’s Hitler’s Hollywood is a compilation documentary that uses clips from films produced during the Nazi regime to show how the movies were used to indoctrinate the masses and influence their behavior. The theme and point of view are unique. With its fascinating developmental arc, the film delivers a complete and well-conceived treatise about how the Nazis used movies to influence the masses and how movie production reflected public mood and the zeitgeist during the Nazi regime. It provokes thought about how movies produced today have similar impact on our social expectations and behavior. There are some valuable lessons to be had.

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THE PAINTED BIRD – Review by Susan Granger

Having caused not only controversy but massive ‘walk-outs’ during film festivals, Czech filmmaker Vaclav Marhoul’s three-hour, black-and-white adaptation of Jerzy Kosinski’s grim, gruesome autobiographical novel is an epic revelation of extreme cruelty and brutality during World War II.

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SKIN WALKER – Review by Maitland McDonagh

Emotionally fragile Janine returns to her family’s vast country estate for her grandmother’s funeral and is sucked into a mire of family dysfunction in this arthouse horror movie that is neither as clever as it aspires to be nor as effective as similarly themed films. The screenplay isn’t sufficiently original to make the finished film stand out from many other psychological horror stories that unfold in apparently idyllic settings tainted by real-life sins and demons of the mind.

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