uncut gems

the vivid vulgarity is so repetitive that it ceases to be shocking, the chaotic plot is predictable and Daniel Lopatin’s aggressive, pulse-pounding synthetic score is too damn loud! Since Adam Sandler has previously focused his psychotic energy on goofy, childish comedy, it’s perhaps remarkable how he’s morphed into this totally self-indulgent, utterly contemptable scumbag. But spending two hours in his irritating company is sheer agony.