PORTRAIT OF A LADY ON FIRE – Review by Loren King

Portrait of a Lady on Fire, winner of the best screenplay award at this year’s Cannes Film Festival, is an unforgettable love story that unspools at a slow burn until the final act, which blazes with an incandescence. The women don’t end up together — no surprise, given the times, and this outcome is made clear by the film’s opening scene. But through artistic images of one another — those they recorded, what they revealed — they keep alive a precious, private memory forever burned into their hearts and minds.

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DAUGHTER OF MINE – Review by Susan Wloszczyna

Set against the raw and rocky primordial landscape of Sardinia, Laura Bispuri’s Daughter of Mine is an intriguing if loosely told tale of two mothers, feral party-girl Angelica (Alba Rohrwacher) who gave birth to a look-alike daughter and Tina (Valeria Golina, hardly aged since starring in 1988’s Rain Man), a church-going factory worker with raven tresses who has invested her whole life to making sure the girl has been raised right and wants for nothing

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