Park Chan Wook Discusses Genre Twists in THIRST – Jennifer Merin interviews
At his Jerusalem Film Festival Masterclass, Korean filmmaker Park Chan Wook focuses on his genre bending storytelling and cinematic trickery in Thirst, which is, he says, his personal favorite of all the films he’s made to date. He comments that he identifies with the film’s central character, a priest-turned-vampire, because he’s always trying to justify his actions. He revelations about audience manipulation through sound design are particularly fascinating. Read more>>