DEADSTREAM (SXSW 2022) – Review by Alexandra Heller-Nicholas

Horror-comedy films are hardly rare, but considering their ubiquity it’s somewhat daunting to reflect upon the depressing reality that very few are, in fact, both funny and scary. Rarer still are horror-comedies that somehow manage to be funny and scary at the same time. Jordan Peele’s Get Out of course is perhaps the new benchmark for such accomplishments, but sometimes, seemingly from out of nowhere, other masterclasses pop out of the woodwork. While not looking like much out of the ordinary on paper, make no mistake: Deadstream is such a treasure.

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Women and Horror at SXSW 2022 – Alexandra Heller-Nicholas reports

It’s almost SXSW o’clock in Austin, and the alarm is set for an impressive range of women-helmed horror films and others that delve into similarly dark, macabre or just good old fashioned unladylike territory. Whether it’s serial killers in Romania, bachelorette parties in Australia or ghosthunters in Utah, from the beloved Midnighters program and beyond this year’s SXSW is full to the brim with a diverse range of films that prove once again the domain of women’s filmmaking is often much wider than commonly assumed.

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