TAKE ME HOME – Review by Sarah Ward

Getting by. Making do. Take Me Home doesn’t task anyone within its frames with uttering these exact phrases, they still echo loudly for Anna, her parents Joan and Bob, and, when she’s back home in Orlando from New York, her sister Emily. It should surprise no one that navigating the American healthcare system as a person with a cognitive disability, or as their caregiver — as anyone aging, or hoping that any medical or care needs could and would be met appropriately, too — is often a matter of trying to find a way to cope but wishing for far, far better. Indeed, writer/director Liz Sargent puts that reality in clear focus. Her debut feature can’t be accused of merely managing, however — not with such an evident commitment to seeing its characters and their circumstances fully realized.

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THE ORDER – Review by Susan Granger

Based on a true story that delves into America’s scourge of white supremacy, The Order stars Jude Law as a veteran FBI agent who stumbles on a virulent hate group operating in the Pacific Northwest in the 1980s. When grizzled Terry Husk (Law) is dispatched to Coeur d’Alene, Idaho, in 1983, his assignment is to investigate a series of bank and armored-car robberies, along with a synagogue bombing and murder of Denver talk-show host Alan Berg. Working with a conscientous local cop, Husk discovers undeniable links to a secluded mountain cult called Aryan Nations, headed by cautious Rev. Richard Butler.

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