THE WEEK IN WOMEN: Blanchett Chairs Cannes Jury, Women Helmers Underrepresented, Wahlberg Donates to ‘Time’s Up’ — Brandy McDonnell reports

Last year, out of the 109 people who directed the top 100 movies, just eight were women, according to the

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SPOTLIGHT November 2017: Dee Rees, Independently Epic Filmmaker, Director MUDBOUND

rees head with handWith just three narrative features to her credit, director Dee Rees has made an assured and unique mark on American cinema, bringing talent, skill and creative vision to her work. Releasing this month, Mudbound presents Rees’ intimately emotional style of filmmaking on an epic scale. Continue reading…

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SPOTLIGHT August 2017: Kathryn Bigelow, Auteur, Oscar Winner, Director of DETROIT

bigelow head 2Although she’s said she prefers to be considered a ‘director’ rather than a ‘female director,’ Kathryn Bigelow consistently shatters the movie industry’s gender-based barriers. Her name is associated with a roster of ‘first and/or only woman to win…’ accomplishments. And, now, there’s Detroit. Continue reading…

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SPOTLIGHT June 2017: Amber Tamblyn, Actress, Poet, Director of PAINT IT BLACK

amber tamblyn 1Amber Tamblyn has been in the spotlight since childhood, but has reached beyond her privileged circumstances to explore humanity and offer work that makes our journey through life richer, more authentic and serves as a primer for women to expand their own potential. Continue reading…

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SPOTLIGHT January 2017: Ava DuVernay, Film Director and Crusader — by Marilyn Ferdinand

ava-duvernay-head-shotAva DuVernay prolifically creates award-winning narratives, documentaries and TV with small and large budgets. She generously supports the work of women directors and people of color through her film collective ARRAY. It’s hard to think of a more productive, galvanizing and charismatic woman in film than Ava DuVernay. Read on…

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THE WEEK IN WOMEN: Hollywood’s ‘pink razor remakes’ shave women directors, SUPERGIRL in OK, RIP Melissa Mathieson and more – Brandy McDonnell reports

Hollywood green lights remakes for their relative ease and built-in audiences, but we don’t need more of them — especially not as a quick fix for Hollywood’s ongoing gender issues. Instead of forcing audiences to settle for remakes, how about the studios investing in projects by women screenwriters and directors with proven skills? Read THE WEEK IN WOMEN

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