KOKUHO – Review by Diane Carson
Of the artists the Japanese most revere, Kabuki actors rank high on the list. This knowledge informs and underscores the heightened personal and profound cultural crises in director Lee Sang-il’s Kokuho, translated as Living National Treasure, (Ningen Kokuho), referring both to Kabuki theater and Kabuki masters. As prescribed by the custom of honoring direct bloodline legacy, a Kabuki actor bequeaths his exalted position to his heir. That entitled person is Shunsuke Ōgaki, son of celebrated Kabuki actor Hanai Hanjiro II. However, after witnessing the violent yakuza murder of Kikuo Tachibana’s father by a rival gang and later observing a magnificent onnagata performance (a male playing a female role) by Kikuo, Hanjiro II adopts Kikuo who proves to be a disciplined, devoted Kabuki student. Talent will oppose and contest tradition.
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