Deborah Davis talks THE FAVOURITE, Rivalries and the Future – Gill Pringle interviews (Exclusive)

If J K Rowling is frequently held up as a model of persistence – her original Harry Potter manuscript initially rejected by 12 publishers – then The Favourite screenwriter Deborah Davis surely holds a place up there, her own screenplay taking a staggering 20 years before becoming a fully-realized movie. That delayed gratification has made her accomplishment all the more sweet, today nominated for best original screenplay Oscar and BAFTAs.

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THE FAVOURITE – Review by Brandy McDonnell

This is not your typical Oscar-bait historical drama, the kind with formally fancy costumes and stilted Queen’s English dialogue. Quite the opposite: “The Favourite” is an unapologetically profane, bracingly biting and wildly compelling tale of royal power plays fueled by three virtuoso women portraying refreshingly complex women.

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THE FAVOURITE – Review by Susan Granger

Greek-born director Yorgos Lanthimos’ opulent costume drama relates scandalous rumors that have circulated for years about 18th century Queen Anne, the last of the Stuart monarchs, who reportedly indulged in lesbian liaisons with two of her closest sycophants.. After losing 17 children, portly, peevish, petulant Queen Anne (Olivia Colman) is no longer interested in ruling England, which is waging war with France. Instead, she’d rather eat sweets, play with her pet rabbits and dawdle with pretty young ladies.

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