SHE SAID – Review by Jennifer Green

Is She Said the portrayal of female journalists we’ve been waiting for? A lot has been written about the depiction of female journalists in She Said, director Maria Schrader and scriptwriter Rebecca Lenkiewicz’s adaptation of New York Times reporters Jodi Kantor and Megan Twohey’s book about their Pulitzer Prize-winning investigation into sexual misconduct allegations against Harvey Weinstein. Reviewers have praised the film for offering what other investigative journalism movies have not — the female perspective, especially outside the newsroom.

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SHE SAID – Review by Valerie Kalfrin

Real-life journalism is rarely cinematic. Behind each written word lies ignored phone calls, rejections, document searches, skittish and irritable people, meetings that circle around uncomfortable topics, and a lot of hustle. Director Maria Schrader (I’m Your Man) and screenwriter Rebecca Lenkiewicz (Small Axe) use these hurdles to show the reporters’ tenacity and intelligence, creating a surprising amount of dramatic tension and momentum.

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SHE SAID – Review by T.J. Callahan

She Said is the story of New York Times reporters, Megan Twohey and Jodi Kantor’s relentless determination to expose extreme sexual harassment in the workplace. Following leads from actresses Rose Mc Gowan and Gwynneth Paltrow, the pair focused on Weinstein and the supply chain of abusers in the movie industry.

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Ten Female Performances to Watch from NYFF 2022 – Liz Whittemore reports

I always begin my annual list with a caveat. My thoughts are based solely on the films I actually saw at the festival. I’ve heard the buzz surrounding Danielle Deadwyler’s performance in Till. It was unanimous among my fellow journalists that this was a star-making turn. I cannot wait to see it for myself. Until then, here are ten female performances that I cannot shake from the 17 films I saw.

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THE PLOT AGAINST AMERICA – Review by Susan Granger

If you’re into binge-watching, this ‘alternative reality’ mini-series is not only compelling but also timely, detailing the dangers of electing a politically naïve, ‘celebrity’ President, who subsequently forges dubious international alliances and enables prejudiced supporters to commit hate crimes.

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MOVIE OF THE WEEK February 21, 2020: THE KINDNESS OF STRANGERS

Help comes from unexpected places when needed the most in The Kindness of Strangers, Lone Scherfig’s heartfelt drama about a handful of people whose lives intersect amid the bustling anonymity of New York City. Centering on the plight of a woman who flees an abusive marriage with her two young sons, the narrative shows how circumstances — and life itself — can turn on a dime.

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THE KINDNESS OF STRANGERS – Review by Cate Marquis

Zoe Kazan and a fine ensemble of actors play characters on the margins of life in Manhattan in Danish writer/director Lone Scherfig’s The Kindness of Strangers. The narrative has a stream of dark comedy as it follows the lives of a mixed bag of struggling strangers.

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THE KINDNESS OF STRANGERS – Review by Susan Wloszczyna

The Kindness of Strangers‘ capable cast of actors is topped by Zoe Kazan as Clara, a young mother who runs away from Buffalo to New York City to save her sons from their father, an abusive cop who gets off on violence. With little means to support herself and no safe haven that she can afford for her kids save for libraries, she does what the title says – she reaches out to average citizens who just happen to be do-gooders.

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THE KINDNESS OF STRANGERS – Review by Sheila Roberts

Written and directed by Scherfig, the New York City drama features an impressive ensemble cast that includes Zoe Kazan, Andrea Riseborough, Bill Nighy, Caleb Landry Jones, Jay Baruchel and Tahar Rahim. Scherfig attempts to write an authentic story that will resonate with audiences, including those that may have never experienced such bleak situations in their own lives.

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THE BALLAD OF BUSTER SCRUGGS- Review by Susan Granger

If you threw a lasso at six 19th century Western mini-sketches and tied them together, like an old, clothbound anthology, they’d resemble Ethan and Joel Coen’s latest cinematic diversion. Superbly photographed in Colorado, New Mexico and Nebraska by Bruno Delbonnel, Carter Burwell’s beautiful score ties everything together.

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