AWFJ Presents ARRANGED – Review by Sandie Angulo Chen

Directors Diane Crespo and Stefan C. Schaefer’s short-and-sweet film captures the joy of the two women bonding against the odds. Their blossoming friendship overcomes obstacles, including their parents’ cringe-worthy reactions to the co-workers socializing outside of school. Even at school they can’t escape narrow-minded (and laughably inappropriate) comments from the secular Jewish Principal, who is so uncomfortable with their modesty that she accuses them of being indoctrinated and offers them cash to buy something trendy to wear.

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AWFJ Presents ARRANGED – Review by Sandie Angulo Chen

Directors Diane Crespo and Stefan C. Schaefer’s short-and-sweet film captures the joy of the two women bonding against the odds. Their blossoming friendship overcomes obstacles, including their parents’ cringe-worthy reactions to the co-workers socializing outside of school. Even at school they can’t escape narrow-minded (and laughably inappropriate) comments from the secular Jewish Principal, who is so uncomfortable with their modesty that she accuses them of being indoctrinated and offers them cash to buy something trendy to wear.

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HOW IT ENDS – Review by Valerie Kalfrin

Poets have wondered whether the world ends with a bang or a whimper, in fire or in ice. The Los Angelenos in the quirky yet poignant comedy How It Ends aren’t quite as philosophical in the shadow of a meteor about to strike the Earth. Yet such circumstances call for reflection, facing fears, and resolving past regrets.

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HOW IT ENDS (Sundance2021) – Review by Pamela Powell

Hats off to Zoe Lister-Jones and husband Daryl Wein for writing, directing, and completing a funny, off-beat film during the Covid pandemic. Lister-Jones also stars in the film as Liza who is planning how she will spend her last day on Earth as three asteroids will be destroying the planet later that night. As we have all learned during a crisis, there’s a rush on certain things.

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MOVIE OF THE WEEK: Best Femme-Helmed, Femme-Centric Films of 2017, To Date

Focusing on films directed by women and those featuring strong female lead characters in female-centric stories, Team #MOTW has endorsed exceptional films during 2017, to date. Midway through this year’s release schedule, we’re pausing to review films we’ve considered for #MOTW and are asking Team #MOTW members to pick their favorites. To discover who likes what, and why, continue reading…

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MOVIE OF THE WEEK June 23-30: BAND AID

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“Love is hell” might very well be the title of one of the original songs featured in the new romantic comedy Band Aid, this week’s Movie of the Week. Although in the parlance of Zoe Lister-Jones’ directorial debut, calling the song “Love is heck” might actually be more fitting. Continue reading…

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Zoe Lister-Jones on BAND AID and Her All Female Crew — Nell Minow interviews

“Band Aid” is a quirky indie with a charming premise, endearing performances, and surprising emotional power. Zoe Lister-Jones is the film’s writer, director, producer, lyricist, and star in the story of an estranged married couple who begin to reconnect by turning their arguments into rock songs. She even used some of her own clothes as wardrobe. Lister-Jones talks about being inspired by her artist parents and why it was important to her to have an all-female crew.

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Zoe Lister-Jones on BAND AID — Loren King interviews

Artistic struggle is in Zoe Lister-Jones’s DNA. The roller coaster ride of the artist’s life is one of the themes she tackles in Band Aid, the comedy she wrote and directed, and stars in with Adam Pally, about a battling couple who form a rock band as marriage therapy. Although Lister-Jones has experience as a singer, she learned bass to play Anna, an unsuccessful writer who works as an Uber driver. She also wrote the lyrics to the “fight” songs that she and Pally perform.

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