AVATAR: FIRE AND ASH – Review by Susan Granger

In the cinematic art of world-building James Cameron has no peer: Avatar: Fire and Ash continues his mythic exploration with motion-capture and digital effects. In Avatar & its Way of Water sci-fi sequel by the mid-22nd century, humanity has depleted Earth’s natural resources – so the Resources Development Administration (RDA) dispatched former U.S. Marines-turned-mercenaries to a distant lushly bio-diverse moon called Pandora in the Alpha Centauri system.

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WEEK IN WOMEN: Zoe Saldaña honored by London Critics’ Circle and Costume Designers Guild – Brandy McDonnell reports

Zoe Saldaña will be presented with two honors in one week in early February. She will be honored with the Derek Malcolm Award for Innovation at the 45th London Critics’ Circle Film Awards on Sunday, Feb. 2 in London, followed by the Spotlight Award at the 27th Costume Designers Guild Awards Thursday, Feb. 6 in Los Angeles. Throughout her broad-ranging career, Saldaña has starred in four of the highest-grossing films of all time, including “Avatar” and “Avengers: Endgame,” and she has made her mark in numerous sci-fi franchises, from “Star Trek” to “Guardians of the Galaxy.” Her work in James Cameron’s “Avatar” series, performed via motion-capture, has notably embraced ground-breaking technical advances in filmmaking and earned both critical and awards recognition.

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EMILIA PEREZ – Review by Susan Granger

If you’re looking for something truly different, watch French filmmaker Jacques Audiard’s daring operatic drama Emilia Perez. Set against the brutality of Mexico City’s drug cartels, it’s the story of Juan ‘Manitas’ Del Monte, a swarthy, cigar-smoking, middle-aged kingpin – married with two young children – who yearns to be a woman. To achieve that end, he hires Rita Moro Castro (Zoe Saldana), an overworked, overlooked criminal defense attorney, to discreetly arrange his highly risky gender reassignment surgery in Switzerland, eventually emerging as the titular Emilia Perez (Karla Sofia Gascon), leaving his angry yet adoring wife Jessi (Selena Gomez) to believe he’s dead.

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EMILIA PEREZ – Review by Diane Carson

Emilia Pérez combines humor, suspense, and violence in a musical. Facing personal threats, Mexican cartel kingpin Manitas del Monte decides his only escape from his violent, dysfunctional life is to transition to a woman. Manitas compels the shocked lawyer Rita to find a qualified doctor to pursue his escape from an ugly life of crime. To reveal any more of the marvelous twists and turns would ruin the exhilarating roller coaster ride blending humor, suspense, violence, multiple shocks, plus fabulous singing and dancing. Director Jacques Audiard segues seamlessly through genres, whisking the audience through characters’ stunning array of emotions.

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EMILIA PEREZ – Review by Lynn Venhaus

Fearless and unflinching, writer-director Jacques Audiard’s bold fever dream of a movie colors outside the genre lines. Emilia Perez is unlike any conventional cartel crime thriller that’s gone before. It’s a comic-tinged wild ride with romance, desire, redemption and a dark side all put into play. One of the most audacious films of the year, look for it to be on many shortlists for its bravura filmmaking and triumphant acting.

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EMILIA PEREZ – Review by T. J. Callahan

Emilia Perez is one of those movies you just have to see. It will leave you speechless whether you like the film or not. No description will do it justice, it’ll only make you question what was Audiard thinking…or smoking? But with a dearth of fresh ideas in Hollywood, you have to give Emilia Perez creativity flowers as well as kudos to the entire cast who were able to bring one man’s surreal fantasy to fruition.

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Middleburg FF 2024 Female Focus Wrap – Leslie Combemale reports

The Middleburg Film Festival is one fest that has leaned into its support for female filmmakers from its inception 12 years ago. It has always not only premiered and featured a wide variety of female-helmed documentaries and narrative features from all over the world, it has also made sure to invite those filmmakers to the fest for panels and Q&As, so that fans, film lovers, and press can learn what inspired them and their unique process for their projects. 2024 is no different in terms of highlighting female filmmakers and craftspeople, although this year there were more filmmakers and below the line artists in residence than ever before.

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Cannes Film Festival 2024: Yes, Women Cannes – Nikki Fowler reports

This year, the Cannes Film Festival spotlighted a rich diversity within its Official Selection Jury, including prominent women like Oscar nominee Lily Gladstone (Killers of the Flower Moon) and the Jury President, Oscar-winning director Greta Gerwig (Barbie). The festival celebrated the achievements of many female filmmakers and actresses, who not only appeared on screens in the South of France but also took home prestigious awards. The festival was a powerful celebration of women’s contributions to cinema, setting a high standard for future events.

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GUARDIANS OF THE GALAXY – VOL. 3 – Review by Susan Granger

If you’ve been an avid follower of the Marvel Cinematic Universe and writer/director James Gunn’s fun-loving band of intergalactic outcasts, you may be intrigued by Rocket Raccoon’s origin story. In previous installments of the Guardians sci-fi action-comedy concept, there’s been good-natured, space-pirate humor but, here, they’re just babbling nonsense for a bloated two hours, 30 minutes. The best sequences are poignant flashbacks showing how young Rocket gains sentience and bonds with other genetically-altered species, like an otter, rabbit and walrus. The worst sequences involve gross ‘n’ gruesome, heavy-handed destruction. And it’s curious that James Gunn seems to be connecting with the currently controversial ‘trans’ experience.

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GUARDIANS OF THE GALAXY VOL 3 – Review by Susan Kamyab

I know I have been saying that since Endgame and Spiderman: No Way Home, Marvel has cranked out some underwhelming sequels. So, that put a lot of pressure on the third installment of the beloved Guardians of the Galaxy franchise. Well, I am so happy to say that Guardians of the Galaxy Volume 3 is a hit and a solid ending to a fantastic trilogy.

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