Protected: Book Excerpt: Television Rewired: The Rise of the Auteur Series
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Read MoreProtected: THE OA: REBIRTH OF WONDER
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Read MoreProtected: VERONICA MARS, Season Four: Love is Gone Ballerina, Gone
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Read MoreProtected: The Portrait of a Lady: Everyone Loves Isabel
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Read MoreProtected: BLONDIE JOHNSON: A Fresh Dame
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Read MoreProtected: RUSSIAN DOLL: The Epic of A Sweet Birthday Baby
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Read MoreProtected: Movie Review: ROMA, Out of the Cradle Endlessly Rocking
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Read MoreProtected: Movie Review — BEING JULIA: Madame Has a Beer
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Read MoreProtected: New York Film Festival Review: THE FAVOURITE
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Read MoreProtected: Movie Review — JACKIE: The Power of Cheap Music
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Read MoreProtected: EQUITY is an Economic Fable for Our Times – Movie Review
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Read MoreBROOKLYN: Or “The Girl” as Universal Solvent (New York Film Festival Review)
What’s not to like about Brooklyn? It’s a small, but polished, intentionally artful looking indie; moderate budget but not low enough to preclude multi-national locations—County Wexford Ireland; New York; and Montreal–and quiet, well-turned performances by Saoirse Ronan, Julie Walters, and Jim Broadbent. And it gives you an opportunity to learn about Irish culture and what America was like after World War II, which is when it is set. Well OK, maybe you don’t learn that much because if there was any reference to the war I don’t remember it, and there certainly was no attention paid to the equivocal shot in the arm that the destruction of European economies gave to the American GNP.
Read MoreProtected: THE JENNIFER-PENNY CHRONICLES: MAKING HISSS – Chapter Eight
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Read MoreProtected: THE JENNIFER-PENNY CHRONICLES: MAKING HISSS – Chapter Seven
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Read MoreProtected: THE JENNIFER-PENNY CHRONICLES: MAKING HISSS – Chapter Six
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Read MoreProtected: THE JENNIFER-PENNY CHRONICLES: MAKING HISSS – Chapter Five
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Read MoreProtected: THE JENNIFER-PENNY CHRONICLES: MAKING HISSS – Chapter Four
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Read MoreProtected: THE JENNIFER-PENNY CHRONICLES: MAKING HISSS – Chapter Three
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Read MoreTHE JENNIFER-PENNY CHRONICLES: MAKING HISSS – Chapter Two
WHAT JENNIFER LYNCH SAW is the second chapter in an eight part exploration of the failure of the American-East Indian co-production of >Hisss (2010), filmmaker Jennifer Lynch’s greatly anticipated third feature film. Despite Lynch’s previous cinematic successes, Hisss, a tale about the Indian snake goddess Nagin, turned into an artistic and box office disaster that derailed its talented director. The making of Hisss and the aftermath for Lynch are the subject of Despite the Gods, an intimate documentary by Penny Vozniak, whose feminist perspective offers rare insight about the troubled production and its outcome.
Read MoreProtected: Movie Review: TWO DAYS, ONE NIGHT
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Read MoreTHE JENNIFER-PENNY CHRONICLES: MAKING HISSS – Chapter One
HOW MANY OBSERVERS DOES IT TAKE TO SEE AN EVENT? is the first installment of an eight part exploration of the failure of the American-East Indian co-production of >Hisss (2010), filmmaker Jennifer Lynch’s greatly anticipated third feature film. Despite Lynch’s previous cinematic successes, Hisss, a tale about the Indian snake goddess Nagin, turned into an artistic and box office disaster that derailed its talented director. The making of Hisss and the aftermath for Lynch are the subject of Despite the Gods, an intimate documentary by Penny Vozniak, whose feminist perspective offers rare insight about the troubled production and its outcome.
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