New York Film Festival Review: THE FAVOURITE

New York Film Festival Review: THE FAVOURITE

Have you ever wondered what sexual politics would be like in a matriarchy? In their rompin’ stompin’ film, The Favourite, shown as the opening night feature for this year’s New York Film Festival, director Yorgos Lanthimos and writers Deborah Davis and Tony McNamara, give you space to imaginatively explore that possibility.

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KEEPING UP WITH HUGH GRANT

KEEPING UP WITH HUGH GRANT

On IMDb.com, a biographical note by Steve Shelokhonov, who has made his mark, such as it is, as the author of IMDb mini-biographies, describes Hugh Grant as an actor known for “playing characters projecting warmth and sincere happiness.” It’s not an important piece of scholarship, but it is widely read, due to its venue, and it is, unfortunately, typical of the kind of entertainment journalism that promotes reductive stereotypes of star reputations.

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Movie Review: BLACK PANTHER, Wakonda Forever!

Movie Review: BLACK PANTHER, Wakonda Forever!

Full disclosure: I don’t like superhero movies as a rule and might not have seen Black Panther for years if I hadn’t been bored during a flight to Seattle. Thus, I am late to the parade of journalists and academics offering their opinions about it, but I hope not too late to ask you to join me in a march to a somewhat different drummer, as I comment on the subtext of this movie devised by Joe Robert Cole, writer, and Ryan Coogler, writer/director.

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Movie Review — THE SQUARE : Conflicts between Civilization and Chaos

Movie Review — THE SQUARE : Conflicts between Civilization and Chaos

Swedish director Ruben Östlund explores the nature of art, the relationship between art and life, but most of all whether human nature is wired to fulfill the ideals of openness and inclusiveness that The Square embodies, a question that is particularly sensitive, painful, and timely as we battle the duly elected (?) fascist who is now in the White House.

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Movie Review — JACKIE: The Power of Cheap Music

Movie Review — JACKIE:  The Power of Cheap Music

Working within several time frames, Pablo Larrain’s new film, Jackie, starring Nathalie Portman in the title role, recounts the way Jacqueline Kennedy dealt with the terrible days right after the assassination of President Kennedy, and also how in retrospect she came to think about her role and that historical moment. The film adopts a low key, talking-head rhetoric about the woman, her trials and tribulations, and the ordeal the United States went through. But it ends with the (inordinately) triumphant strains of the final song from the Broadway musical Camelot, as Richard Burton sings, “Don’t let it be forgot/That once there was a spot/For one brief shining moment/ That was known as Camelot.” What are we to make of this ecstatic explosion of kitsch as the culmination of an essentially quiet film about one of the most wrenching episodes in modern American history?

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Three Trembling Cities, A Web Series

Three Trembling Cities, A Web Series

​Three Trembling Cities, written and directed by Arthur Vincie, is an innovative web series about immigrants in New York. Wait, don’t run for the exit. It’s not an earnest and/or sentimental diatribe about America as a country of immigrants; or a timely warning against the repulsive policies of Donald Trump, although this is a good time for America to consider its immigrant heritage. ​But the word “immigrant” has become heavy, fraught with anxiety, anger, and melancholy, and Three Trembling Cities is anything but that.

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BROOKLYN: Or “The Girl” as Universal Solvent (New York Film Festival Review)

BROOKLYN:  Or “The Girl” as Universal Solvent   (New York Film Festival Review)

What’s not to like about Brooklyn? It’s a small, but polished, intentionally artful looking indie; moderate budget but not low enough to preclude multi-national locations—County Wexford Ireland; New York; and Montreal–and quiet, well-turned performances by Saoirse Ronan, Julie Walters, and Jim Broadbent. And it gives you an opportunity to learn about Irish culture and what America was like after World War II, which is when it is set. Well OK, maybe you don’t learn that much because if there was any reference to the war I don’t remember it, and there certainly was no attention paid to the equivocal shot in the arm that the destruction of European economies gave to the American GNP.

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THE JENNIFER-PENNY CHRONICLES: MAKING HISSS – Chapter Eight

THE JENNIFER-PENNY CHRONICLES: MAKING HISSS – Chapter Eight

THE REMOVED OBSERVER GETS THE LAST WORD is the final chapter in an eight part exploration of the failure of the American-East Indian co-production of >Hisss (2010), filmmaker Jennifer Lynch’s greatly anticipated third feature film. Despite Lynch’s previous cinematic successes, Hisss, a tale about the Indian snake goddess Nagin, turned into an artistic and box office disaster that derailed its talented director. The making of Hisss and the aftermath for Lynch are the subject of Despite the Gods, an intimate documentary by Penny Vozniak, whose feminist perspective offers rare insight about the troubled production and its outcome.

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THE JENNIFER-PENNY CHRONICLES: MAKING HISSS – Chapter Seven

THE JENNIFER-PENNY CHRONICLES: MAKING HISSS – Chapter Seven

IT ENDS BADLY is the seventh chapter in an eight part exploration of the failure of the American-East Indian co-production of >Hisss (2010), filmmaker Jennifer Lynch’s greatly anticipated third feature film. Despite Lynch’s previous cinematic successes, Hisss, a tale about the Indian snake goddess Nagin, turned into an artistic and box office disaster that derailed its talented director. The making of Hisss and the aftermath for Lynch are the subject of Despite the Gods, an intimate documentary by Penny Vozniak, whose feminist perspective offers rare insight about the troubled production and its outcome.

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THE JENNIFER-PENNY CHRONICLES: MAKING HISSS – Chapter Six

THE JENNIFER-PENNY CHRONICLES: MAKING HISSS – Chapter Six

THE SILENT WATCHER is the sixth chapter in an eight part exploration of the failure of the American-East Indian co-production of >Hisss (2010), filmmaker Jennifer Lynch’s greatly anticipated third feature film. Despite Lynch’s previous cinematic successes, Hisss, a tale about the Indian snake goddess Nagin, turned into an artistic and box office disaster that derailed its talented director. The making of Hisss and the aftermath for Lynch are the subject of Despite the Gods, an intimate documentary by Penny Vozniak, whose feminist perspective offers rare insight about the troubled production and its outcome.

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THE JENNIFER-PENNY CHRONICLES: MAKING HISSS – Chapter Five

THE JENNIFER-PENNY CHRONICLES: MAKING HISSS – Chapter Five

A SILENT WATCHER is the fifth chapter in an eight part exploration of the failure of the American-East Indian co-production of >Hisss (2010), filmmaker Jennifer Lynch’s greatly anticipated third feature film. Despite Lynch’s previous cinematic successes, Hisss, a tale about the Indian snake goddess Nagin, turned into an artistic and box office disaster that derailed its talented director. The making of Hisss and the aftermath for Lynch are the subject of Despite the Gods, an intimate documentary by Penny Vozniak, whose feminist perspective offers rare insight about the troubled production and its outcome.

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THE JENNIFER-PENNY CHRONICLES: MAKING HISSS – Chapter Four

THE JENNIFER-PENNY CHRONICLES: MAKING HISSS – Chapter Four

WHAT PENNY VOZNIAK SAW is the fourth chapter in an eight part exploration of the failure of the American-East Indian co-production of >Hisss (2010), filmmaker Jennifer Lynch’s greatly anticipated third feature film. Despite Lynch’s previous cinematic successes, Hisss, a tale about the Indian snake goddess Nagin, turned into an artistic and box office disaster that derailed its talented director. The making of Hisss and the aftermath for Lynch are the subject of Despite the Gods, an intimate documentary by Penny Vozniak, whose feminist perspective offers rare insight about the troubled production and its outcome.

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THE JENNIFER-PENNY CHRONICLES: MAKING HISSS – Chapter Three

THE JENNIFER-PENNY CHRONICLES: MAKING HISSS – Chapter Three

HOW PENNY VOZNIAK GOT INTO IT is the third chapter in an eight part exploration of the failure of the American-East Indian co-production of Hisss (2010), filmmaker Jennifer Lynch’s greatly anticipated third feature film. Despite Lynch’s previous cinematic successes, Hisss, a tale about the Indian snake goddess Nagin, turned into an artistic and box office disaster that derailed its talented director. The making of Hiss and the aftermath for Lynch are the subject of Despite the Gods, an intimate documentary by Penny Vozniak, whose feminist perspective offers rare insight about the troubled production and its outcome.

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THE JENNIFER-PENNY CHRONICLES: MAKING HISSS – Chapter One

THE JENNIFER-PENNY CHRONICLES: MAKING HISSS – Chapter One

HOW MANY OBSERVERS DOES IT TAKE TO SEE AN EVENT? is the first installment of an eight part exploration of the failure of the American-East Indian co-production of >Hisss (2010), filmmaker Jennifer Lynch’s greatly anticipated third feature film. Despite Lynch’s previous cinematic successes, Hisss, a tale about the Indian snake goddess Nagin, turned into an artistic and box office disaster that derailed its talented director. The making of Hisss and the aftermath for Lynch are the subject of Despite the Gods, an intimate documentary by Penny Vozniak, whose feminist perspective offers rare insight about the troubled production and its outcome.

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