Protected: Book Excerpt: Television Rewired: The Rise of the Auteur Series

Protected: Book Excerpt: Television Rewired: The Rise of the Auteur Series

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Protected: THE OA: REBIRTH OF WONDER

Protected: THE OA:  REBIRTH OF WONDER

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Protected: VERONICA MARS, Season Four: Love is Gone Ballerina, Gone

Protected: VERONICA MARS, Season Four: Love is Gone Ballerina, Gone

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Protected: The Portrait of a Lady: Everyone Loves Isabel

Protected: The Portrait of a Lady:  Everyone Loves Isabel

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Protected: HOMECOMING: Mirror, Mirror

Protected: HOMECOMING: Mirror, Mirror

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Protected: BLONDIE JOHNSON: A Fresh Dame

Protected: BLONDIE JOHNSON: A Fresh Dame

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Protected: RUSSIAN DOLL: The Epic of A Sweet Birthday Baby

Protected: RUSSIAN DOLL: The Epic of A Sweet Birthday Baby

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Protected: INSPECTOR LEWIS: Crime, Art, Imagination, and Fantasy

Protected: INSPECTOR LEWIS:  Crime, Art, Imagination, and Fantasy

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Protected: Media Review: ESCAPE AT DANNEMORA, The World as Prison

Protected: Media Review: ESCAPE AT DANNEMORA, The World as Prison

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Protected: Movie Review: VICE: You ain’t seen nothin’ yet, but there’s nothin’ aplenty

Protected: Movie Review: VICE: You ain’t seen nothin’ yet, but there’s nothin’ aplenty

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Protected: Movie Review: THE DEATH OF STALIN

Protected: Movie Review: THE DEATH OF STALIN

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Protected: New York Film Festival Review: THE FAVOURITE

Protected: New York Film Festival Review: THE FAVOURITE

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Protected: KEEPING UP WITH HUGH GRANT

Protected: KEEPING UP WITH HUGH GRANT

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Protected: Movie Review: BLACK PANTHER, Wakonda Forever!

Protected: Movie Review: BLACK PANTHER, Wakonda Forever!

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Protected: Movie Review — THE SQUARE : Conflicts between Civilization and Chaos

Protected: Movie Review — THE SQUARE : Conflicts between Civilization and Chaos

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Protected: Movie Review — JACKIE: The Power of Cheap Music

Protected: Movie Review — JACKIE:  The Power of Cheap Music

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Protected: Three Trembling Cities, A Web Series

Protected: Three Trembling Cities, A Web Series

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BROOKLYN: Or “The Girl” as Universal Solvent (New York Film Festival Review)

BROOKLYN:  Or “The Girl” as Universal Solvent   (New York Film Festival Review)

What’s not to like about Brooklyn? It’s a small, but polished, intentionally artful looking indie; moderate budget but not low enough to preclude multi-national locations—County Wexford Ireland; New York; and Montreal–and quiet, well-turned performances by Saoirse Ronan, Julie Walters, and Jim Broadbent. And it gives you an opportunity to learn about Irish culture and what America was like after World War II, which is when it is set. Well OK, maybe you don’t learn that much because if there was any reference to the war I don’t remember it, and there certainly was no attention paid to the equivocal shot in the arm that the destruction of European economies gave to the American GNP.

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Protected: THE JENNIFER-PENNY CHRONICLES: MAKING HISSS – Chapter Eight

Protected: THE JENNIFER-PENNY CHRONICLES: MAKING HISSS – Chapter Eight

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Protected: THE JENNIFER-PENNY CHRONICLES: MAKING HISSS – Chapter Seven

Protected: THE JENNIFER-PENNY CHRONICLES: MAKING HISSS – Chapter Seven

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Protected: THE JENNIFER-PENNY CHRONICLES: MAKING HISSS – Chapter Six

Protected: THE JENNIFER-PENNY CHRONICLES: MAKING HISSS – Chapter Six

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Protected: THE JENNIFER-PENNY CHRONICLES: MAKING HISSS – Chapter Five

Protected: THE JENNIFER-PENNY CHRONICLES: MAKING HISSS – Chapter Five

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Protected: THE JENNIFER-PENNY CHRONICLES: MAKING HISSS – Chapter Four

Protected: THE JENNIFER-PENNY CHRONICLES: MAKING HISSS – Chapter Four

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Protected: THE JENNIFER-PENNY CHRONICLES: MAKING HISSS – Chapter Three

Protected: THE JENNIFER-PENNY CHRONICLES: MAKING HISSS – Chapter Three

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THE JENNIFER-PENNY CHRONICLES: MAKING HISSS – Chapter One

THE JENNIFER-PENNY CHRONICLES: MAKING HISSS – Chapter One

HOW MANY OBSERVERS DOES IT TAKE TO SEE AN EVENT? is the first installment of an eight part exploration of the failure of the American-East Indian co-production of >Hisss (2010), filmmaker Jennifer Lynch’s greatly anticipated third feature film. Despite Lynch’s previous cinematic successes, Hisss, a tale about the Indian snake goddess Nagin, turned into an artistic and box office disaster that derailed its talented director. The making of Hisss and the aftermath for Lynch are the subject of Despite the Gods, an intimate documentary by Penny Vozniak, whose feminist perspective offers rare insight about the troubled production and its outcome.

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