Protected: Movie Review: ROMA, Out of the Cradle Endlessly Rocking
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Read MoreProtected: Media Review: ESCAPE AT DANNEMORA, The World as Prison
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Read MoreProtected: Movie Review: VICE: You ain’t seen nothin’ yet, but there’s nothin’ aplenty
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Read MoreProtected: Movie Review – BLACKkKLANSMAN
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Read MoreProtected: Movie Review: THE DEATH OF STALIN
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Read MoreProtected: Movie Review — THE SQUARE : Conflicts between Civilization and Chaos
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Read MoreProtected: Movie Review — JACKIE: The Power of Cheap Music
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Read MoreProtected: Three Trembling Cities, A Web Series
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Read MoreProtected: EQUITY is an Economic Fable for Our Times – Movie Review
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Read MoreProtected: THE JENNIFER-PENNY CHRONICLES: MAKING HISSS – Chapter Eight
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Read MoreProtected: THE JENNIFER-PENNY CHRONICLES: MAKING HISSS – Chapter Seven
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Read MoreProtected: THE JENNIFER-PENNY CHRONICLES: MAKING HISSS – Chapter Six
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Read MoreProtected: THE JENNIFER-PENNY CHRONICLES: MAKING HISSS – Chapter Five
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Read MoreProtected: THE JENNIFER-PENNY CHRONICLES: MAKING HISSS – Chapter Four
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Read MoreProtected: THE JENNIFER-PENNY CHRONICLES: MAKING HISSS – Chapter Three
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Read MoreTHE JENNIFER-PENNY CHRONICLES: MAKING HISSS – Chapter Two
WHAT JENNIFER LYNCH SAW is the second chapter in an eight part exploration of the failure of the American-East Indian co-production of >Hisss (2010), filmmaker Jennifer Lynch’s greatly anticipated third feature film. Despite Lynch’s previous cinematic successes, Hisss, a tale about the Indian snake goddess Nagin, turned into an artistic and box office disaster that derailed its talented director. The making of Hisss and the aftermath for Lynch are the subject of Despite the Gods, an intimate documentary by Penny Vozniak, whose feminist perspective offers rare insight about the troubled production and its outcome.
Read MoreProtected: Movie Review: TWO DAYS, ONE NIGHT
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Read MoreTHE JENNIFER-PENNY CHRONICLES: MAKING HISSS – Chapter One
HOW MANY OBSERVERS DOES IT TAKE TO SEE AN EVENT? is the first installment of an eight part exploration of the failure of the American-East Indian co-production of >Hisss (2010), filmmaker Jennifer Lynch’s greatly anticipated third feature film. Despite Lynch’s previous cinematic successes, Hisss, a tale about the Indian snake goddess Nagin, turned into an artistic and box office disaster that derailed its talented director. The making of Hisss and the aftermath for Lynch are the subject of Despite the Gods, an intimate documentary by Penny Vozniak, whose feminist perspective offers rare insight about the troubled production and its outcome.
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