EL CAMINO: A BREAKING BAD MOVIE – Review by Lesley Savage

EL CAMINO: A BREAKING BAD MOVIE – Review by Lesley Savage

Breaking Bad fans jonesing for a fix of the critically-acclaimed AMC TV show, about a high school chemistry teacher diagnosed with terminal cancer who becomes a methamphetamine cook to leave money for his family upon his death, will score big with El Camino: A Breaking Bad Movie,” appearing in select theaters nationwide for a three-day run and on Netflix before airing on AMC.

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HOUSE OWNER – Review by Mythily Ramachandran

HOUSE OWNER – Review by Mythily Ramachandran

Indian actor-director Lakshmy Ramakrishnan stands apart with her stories pivoted around women that are portraits of people who are human. Her fourth Tamil (south Indian language) film, House Owner talks about living with a spouse suffering from Alzheimer’s-a premise not much explored in south Indian cinema or even Indian cinema.

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THE WIND – Review by Marietta Steinhart

THE WIND – Review by Marietta Steinhart

Going back and forth in time while remaining in the same desolate cabin, Emma Tammi’s directorial feature debut The Wind journals the unraveling of Lizzy , a German immigrant and sensitive frontierswoman, holding down the farm with a rifle while her husband, Isaac, rides off into the sunset.

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Marvelous Women at Palm Springs International Film Festival 2019 – Marietta Steinhart reports

Marvelous Women at Palm Springs International Film Festival 2019 – Marietta Steinhart reports

Programmed by a team consisting of six remarkable women, including Lili Rodriguez, Alissa Simon, Hebe Tebachnik, Therese Hayes, Jessica Eskelin, and Jane Schoettle (from the Toronto International Film Festival), plus former Newsweek critic, David Ansen and artistic director Michael Lerman, the 2019 Palm Springs International Film Festival showed 228 films of which 55 were either directed or co-directed by women (about 24 percent), leaving room for more female directors in the future. Nevertheless the festival has no lack in films with or about women.

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WIDOWS – Review by Marietta Steinhart

WIDOWS – Review by Marietta Steinhart

Steve McQueen has created masterful dramas about men and their torment. Gillian Flynn is notorious for her compelling thrillers about traumatized women. Together they’ve made a smart heist movie with a feminist twist. Last year, Widows, was one of the most intriguing films with and about women.

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COLD WAR – Review by Marietta Steinhart

COLD WAR – Review by Marietta Steinhart

Four years after winning an Oscar for best-foreign-language film for Ida, author and director Pawel Pawlikowski has returned with three-time Oscar-nominated Cold War, a meticulously composed story of love shattered by the Iron Curtain, and temperaments. It will break your heart, but never mind: despair has never looked so gorgeous.

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SHOPLIFTERS – Review by Marietta Steinhart

SHOPLIFTERS – Review by Marietta Steinhart

Hirokazu Kore-eda’s Shoplifters is a tender, strangely powerful and sad exploration of what makes a real family and implies that we often find true compassion among the strangers we encounter in the world. The film won the Palme d’Or at Cannes in 2018, claimed the FIPRESCI Prize for Best Foreign Language Film at the 30th Palm Springs International Film Festival this January and is nominated for a best foreign-language film Oscar.

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Whistler Film Festival 2018 Filmmaker Interview: Kristina Wagenbauer, director of SASHINKA

Whistler Film Festival 2018 Filmmaker Interview: Kristina Wagenbauer, director of SASHINKA

First-time feature director Kristina Wagenbauer’s Sashinka is a family drama that revolves around tensions between mother and daughter. Talented young musician Sasha’s life and burgeoning career are completely disrupted when her mother, an attractive yet shockingly adolescent and alcoholic Russian emigre, shows upon her doorstep, desperate for a place to stay. The scene is set for their emotionally fraught confrontation that is the film’s affecting climax. Sashinka was nominated for the EDA Award for Best Female-Directed Feature at Whistler Film Festival 2018.

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Whistler Film Festival 2018 Filmmaker Interview: Meryam Joobeur, director of BROTHERHOOD

Whistler Film Festival 2018 Filmmaker Interview: Meryam Joobeur, director of BROTHERHOOD

Filmmaker Meryam Joobeur’s 25 minute narrative film takes us to rural Tunisia and into the life of a hardened shepherd, Mohamed, who is deeply shaken when his estranged son Malik, who’d left the family to fight for ISIS, returns home with a Syrian wife. Tensions between father and son slowly build into an inevitable and heartbreaking confrontation with devastating results. Brotherhood is the recipient of AWFJ’s EDA Award for Best Female-Directed Short at Whistler Film Festival 2018.

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Whistler Film Festival 2018: Lara Zeidan, director of THREE CENTIMETRES

Whistler Film Festival 2018: Lara Zeidan, director of  THREE CENTIMETRES

In Lara Zeidan’s nine-minute short film is a dense and claustrophobic drama in which four teenage Lebanese girls go on a ferris wheel ride to cheer one of them up after a breakup. They find their friendships put to the test while they are suspended high above Beirut, as secrets are revealed and tensions rise. The drama culminates in an unexpected confession.

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