LOUISIANA FILM PRIZE Filmmaker Jaya McSharma on the Making and Meaning of BEST IN SHOW

LOUISIANA FILM PRIZE Filmmaker Jaya McSharma on the Making and Meaning of BEST IN SHOW

Jaya McSharma wrote, produced, co-directed and starred in Best in Show, one of 20 short films selected to compete in the 2019 Louisiana Film Prize, a unique film festival that awards a cash prize of $50,000 for the film deemed best by audience members and by film industry professionals. The dramady, a searing satire of the fashion industry, follows an unconventional fashion show model whose appearance is deemed no longer fit for the runway. Her rebellion is an inspiration to all who reject the torture of trying to stick to superficial standards of size, shape and beauty.

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LOUISIANA FILM PRIZE: Filmmaker Makenzie Smith on the Making and Meaning of CICERO

LOUISIANA FILM PRIZE: Filmmaker Makenzie Smith on the Making and Meaning of CICERO

Makenzie Smith’s film, Cicero, was in competition for the $50,000 cash award bestowed by the annual Louisiana Film Prize upon one winner. This year, more than 120 short films were submitted for the competition, with twenty selected to be screened at the festival, held from October 2 to 5 in Shreveport, to vie for the big money. Written by Smith who co-directed with Finch Nissen, Cicero was shot in Shreveport, per Film Prize submission requirements. The plot involves the tense and unexpected face off between two men — a hit man and his targeted victim — who find themselves confined together in a stuck elevator.

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LOUISIANA FILM PRIZE: Filmmaker Camille Schmoutz the Making and Meaning of on ST ESTHER DAY

LOUISIANA FILM PRIZE: Filmmaker Camille Schmoutz the Making and Meaning of on ST ESTHER DAY

Camille Schmoutz’s St Esther Day is an elaborate period drama about the clash of socioeconomic classes in San Francisco at the turn of the 20th century. St Esther Day is an excellent example of how much story can be told, how much atmosphere can be evoked and how much social relevance can be conveyed in a short film. Produced in Shreveport specifically for submission for the 2019 Louisiana Film Prize’s $50,000 award, the film took advantage of the city’s unique locations and ambiance.

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LOUISIANA FILM PRIZE: Filmmaker Rachel Emerson on the Making and Meaning of MAVEN VOYAGE

LOUISIANA FILM PRIZE: Filmmaker Rachel Emerson on the Making and Meaning of MAVEN VOYAGE

Rachel Emerson’s Maven Voyage, one of twenty short films selected to compete for the $50,000 cash award bestowed by the annual Louisiana Film Prize, was shot in Shreveport, per submission requirements. Emerson won the fest’s $1,000 best actress award and a $3,000 Founders Circle Award to seed her next project. She comments on the making and meaning of her film, an engaging scifi adventure about a gal (Emerson) who wants to join the first manned mission to Mars.

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LOUISIANA FILM PRIZE: Filmmaker Abigail Kruger on the Making and Meaning of SHREVEPOET

LOUISIANA FILM PRIZE: Filmmaker Abigail Kruger on the Making and Meaning of SHREVEPOET

Abigail Kruger’s Shreveport was one of twenty short films selected from this year’s crop of 120 submissions to compete for the coveted $50,000 cash award bestowed by the annual Louisiana Film Prize. One of the submission requirements is that the short have been filmed in Shreveport, or in the surrounding area. Kruger comments on the making and meaning of her film, a lyrical ode to to the city of Shreveport, following a street poet who dances through the city on roller skates.

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EL CAMINO: A BREAKING BAD MOVIE – Review by Lesley Savage

EL CAMINO: A BREAKING BAD MOVIE – Review by Lesley Savage

Breaking Bad fans jonesing for a fix of the critically-acclaimed AMC TV show, about a high school chemistry teacher diagnosed with terminal cancer who becomes a methamphetamine cook to leave money for his family upon his death, will score big with El Camino: A Breaking Bad Movie,” appearing in select theaters nationwide for a three-day run and on Netflix before airing on AMC.

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HOUSE OWNER – Review by Mythily Ramachandran

HOUSE OWNER – Review by Mythily Ramachandran

Indian actor-director Lakshmy Ramakrishnan stands apart with her stories pivoted around women that are portraits of people who are human. Her fourth Tamil (south Indian language) film, House Owner talks about living with a spouse suffering from Alzheimer’s-a premise not much explored in south Indian cinema or even Indian cinema.

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THE WIND – Review by Marietta Steinhart

THE WIND – Review by Marietta Steinhart

Going back and forth in time while remaining in the same desolate cabin, Emma Tammi’s directorial feature debut The Wind journals the unraveling of Lizzy , a German immigrant and sensitive frontierswoman, holding down the farm with a rifle while her husband, Isaac, rides off into the sunset.

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Marvelous Women at Palm Springs International Film Festival 2019 – Marietta Steinhart reports

Marvelous Women at Palm Springs International Film Festival 2019 – Marietta Steinhart reports

Programmed by a team consisting of six remarkable women, including Lili Rodriguez, Alissa Simon, Hebe Tebachnik, Therese Hayes, Jessica Eskelin, and Jane Schoettle (from the Toronto International Film Festival), plus former Newsweek critic, David Ansen and artistic director Michael Lerman, the 2019 Palm Springs International Film Festival showed 228 films of which 55 were either directed or co-directed by women (about 24 percent), leaving room for more female directors in the future. Nevertheless the festival has no lack in films with or about women.

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WIDOWS – Review by Marietta Steinhart

WIDOWS – Review by Marietta Steinhart

Steve McQueen has created masterful dramas about men and their torment. Gillian Flynn is notorious for her compelling thrillers about traumatized women. Together they’ve made a smart heist movie with a feminist twist. Last year, Widows, was one of the most intriguing films with and about women.

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