Tribeca Film Festival Filmmaker Interview: Mickey Sumner on WITH/IN – I’m Listening

Tribeca Film Festival Filmmaker Interview: Mickey Sumner on WITH/IN – I’m Listening

Mickey Sumner’s I’m Listening was shot in response to the WITH/IN short film initiative. The directive was simple: Using an iPhone and whatever’s easily at your disposal, shoot a short film dealing with quarantine life in 2020. It’s not as if there wasn’t a surplus of storytelling angles, themes and emotions available, considering how much […]

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SWEAT – Review by Marietta Steinhart

SWEAT – Review by Marietta Steinhart

Few films have pictured the Social Media phenomenon as empathically as Sweat. Thanks to a powerhouse performance by Magdalena Koleśnik, Sweatallows for a very nuanced and kind look at a profession that has been demonized and mocked. Watching movies about people staring at their phones is usually about as stimulating as watching grass grow. This is not the case here. Koleśnik’s energy is contagious.

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NEVER GONNA SNOW AGAIN – Review by Marietta Steinhart

NEVER GONNA SNOW AGAIN – Review by Marietta Steinhart

There is a spellbinding sense of fairy tale realism to Małgorzata Szumowska’s latest, her first co-directed film with long-time cinematographer Michał Englert. Never Gonna Snow Again is loaded with social commentary – it’s wicked and quietly wonderful. With nothing but a fold-up table under his arm, a mysterious Ukrainian masseur walks into an anonymous gated Polish community, not unlike American Suburbia in Tim Burton’s gothic fairy tale Edward Scissorhands (1990), a surreal punch at capitalism in the Reagan Era. The bourgeoisie seemingly has it all, yet their lives are empty and grotesque.

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DIRECTOR ROHENA GERA Chats SIR – Mythily Ramachandran interviews

DIRECTOR ROHENA GERA Chats SIR – Mythily Ramachandran interviews

Director Rohena Gera’s debut feature film, Sir broke all stereotypes of Indian cinema with a story that explored the changing dynamics of a relationship between Ashwin-a affluent young man and Ratna-his live-in domestic help. In India where caste and position in society determines relationships, Sir was much appreciated for its sincerity and honest narration. Sir premiered in the Critics Week at Cannes (2017) winning acclaim. Gera became the first woman filmmaker to receive the Gan Foundation award as well as a prize at the Cannes Critics Week.

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Indian directors Rintu Thomas and Sushmit Ghosh won two Sundance awards for WRITING WITH FIRE – Mythily Ramachandran interviews

Indian directors Rintu Thomas and Sushmit Ghosh won two Sundance awards for WRITING WITH FIRE – Mythily Ramachandran interviews

Debutant directors Rintu Thomas and Sushmit Ghosh received two awards-Audience award and Special Jury award at Sundance Film Festival 2021 for their documentary Writing With Fire, chronicling the rise of ‘Khabar Lahariya’ (Waves of news), India’s only newspaper run by Dalit (considered untouchables) women and which recently went digital. WWF is produced by Black Ticket Films, a production company cofounded by Thomas and Ghosh and recognized for its award winning shorts including Timbaktu that received the Indian national award in 2012 as Best Environmental film. Mythily Ramachandran talks to the duo on the making of this documentary.

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IS LOVE ENOUGH SIR? – Review by Mythily Ramachandran

IS LOVE ENOUGH SIR? – Review by Mythily Ramachandran

Is Love Enough Sir? is a tale of forbidden love. Rohena Gera marks her debut with a heart- warming and poignant story that holds a mirror to the class divide in India. This is Rohena Gera’s debut feature film in Hindi. The film won a Cannes Critic Week award in 2018 and is now streaming on Netflix.

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Indian Director Kavya Prakash begins her directorial career with VAANKU – Mythily Ramachandran interviews

Indian Director Kavya Prakash begins her directorial career with VAANKU – Mythily Ramachandran interviews

Indian director Kavya Prakash opens her directorial career with Vaanku, about a young Muslim woman’s wish to lead the Islamic call for prayer, Adhan, generally done by men. When a young woman, Razia, expresses her wish to lead the prayer, it sets rolling a ripple effect in her family and society around. Kavya, daughter of noted Indian filmmaker V K Prakash – two times Indian national awardee – speaks with Mythily Ramachandran on Vaanku and her journey into cinema

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Whistler Film Festival Filmmaker Interview: Ashley Eakin on SINGLE

Whistler Film Festival Filmmaker Interview: Ashley Eakin on SINGLE

Single confronts the complexities of being disabled and dating. Kim, who was born with one arm, gets set-up to go on a blind date. When she finally meets Jake, to her horror – he only has one hand. Unable to get over the apparent ignorance of the matchmaker, as well as her own insecurities about being different, Kim tries to bail on the date.

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Whistler Film Festival Filmmaker Interview: Janice Mingas on WHEN THE NIGHT HAS COME

Whistler Film Festival Filmmaker Interview: Janice Mingas on WHEN THE NIGHT HAS COME

When The Night Has Come sheds light on the dangerous reality of systemic racism and police brutality. It tells the story of Matt, a young Black man whose life is forever changed after he is stopped by the police for an identity check.

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Whistler Film Festival Filmmaker Interview: Ali Liebert on THE QUIETING

Whistler Film Festival Filmmaker Interview: Ali Liebert on THE QUIETING

The Quieting tells the story of Maggie, an anxious and newly queer woman on the eve of her first date with a woman. She is thrown into the throes of self-doubt and fear is confronted by an unexpected guest. Sara Canning and Julia Sarah Stone star in this psychological thriller by Ali Liebert that snaps the struggle of identity sharply into focus.

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Whistler Film Festival Filmmaker Interview: Ariane Louis-Seize on SHOOTING STAR

Whistler Film Festival Filmmaker Interview: Ariane Louis-Seize on SHOOTING STAR

On a family trip to observe the shooting stars, Chloé, a withdrawn teenager, discovers a dazzling attraction for her mother’s new boyfriend. Ariane Louis-Seize likes to write and film unconventional characters who break down barriers by acting as we would never dare to do ourselves.

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Whistler Film Festival Filmmaker Interview: Alex Anna on SCARS

Whistler Film Festival Filmmaker Interview: Alex Anna on SCARS

Alex Anna’s body is a canvas: her scars come to life to tell a new story of self-harming. Live action and animation intertwine in this short and poetic documentary, both intimate and universal.

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Whistler Film Festival Filmmaker Interview: Wendy Morgan on SUGAR DADDY

Whistler Film Festival Filmmaker Interview: Wendy Morgan on SUGAR DADDY

Some films jump off the screen to announce the arrival of vital new talent. Such is the case with Wendy Morgan’s Sugar Daddy, starring Kelly McCormack in a tour de force performance as Darren, a new age music composer and performer who is trying to break into the record industry. Sugar Daddy is the opening film for Whistler Film Festival 2020.

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Whistler Film Festival Filmmaker Interview: Elinor Nechemya on OUR HEARTS BEAT LIKE WAR

Whistler Film Festival Filmmaker Interview: Elinor Nechemya on OUR HEARTS BEAT LIKE WAR

With his eyes in a fantasy book and his ears to the horrific testimony of an Eritrean refugee, nine-year-old Sinai falls asleep at his mother’s workplace, and his mind drifts away. In his sleep his mother tells him a surrealistic fairytale about a Syrian refugee family living in Sweden. This “fairytale” is about a young Syrian boy who falls into a coma-like situation after the family receives a deportation letter from the government.

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Whistler Film Festival Filmmaker Interview: Aimee Long on A SHOT THROUGH THE WALL

Whistler Film Festival Filmmaker Interview: Aimee Long on A SHOT THROUGH THE WALL

Inspired by a true event, A Shot Through The Wall is about an Asian American police officer who accidentally discharges his weapon during an investigation, killing a black teenager through an apartment wall. The case spirals out of control as the incident is deemed police racial bias. His fellow cops and unions initially tell him there’s nothing to worry about, but politics erupt and he’s left standing alone. His fiancée is African American, but his reluctance to involve her as part of a PR defense unleashes a series of mishandled opportunities for him to defend himself.

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Whistler Film Festival Filmmaker Interview: Niav Conty on SMALL TIME

Whistler Film Festival Filmmaker Interview: Niav Conty on SMALL TIME

Naiv Conty’s Small Time is about childhood, family, and the role models around us. Stubborn patriotism, dogmatic faith, and the sexualization of young women are all themes that swirl around in this tragic story about a ten year old girl surrounded by addicted adults,

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Whistler Film Festival Interview: Susan Rodgers on STILL THE WATER

Whistler Film Festival Interview: Susan Rodgers on STILL THE WATER

A former museum curator, Susan Rodgers’ film career started with a wardrobe continuity gig on the television show Emily of New Moon. Soon a box of wartime letters discovered in an attic launched her first film, the half-hour period drama Bobby’s Peace. Rodgers’ inaugural feature film, Still The Water, was completed in the spring of 2020.

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Whistler Film Festival Filmmaker Interview: Emily Dickinson on MARCH

Whistler Film Festival Filmmaker Interview: Emily Dickinson on MARCH

First time director Emily Dickinson’s narrative short March takes place in 2024, and follows an American woman in her mid-twenties, as she travels to Canada to get a now-illegal abortion. A day in her life showcases abortion tourism, the current state of relations between the two neighbouring nations, the implications of a misogynist government, and the resilience of women. March is nominated for the EDA Award for Best Female-Directed Short at Whistler Film Festival 2020.

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Tax Credit Changes to Benefit Canadian Female Filmworkers – Sharon McGowan and Jan Miller report

Tax Credit Changes to Benefit Canadian Female Filmworkers – Sharon McGowan and Jan Miller report

As women who have been working in the Canadian film and television industry for over three decades (on opposite sides of the country!), we are heartened by recent gender equity advancements in creative leadership positions in productions funded by Telefilm Canada, the Canada Media Fund, CBC and the NFB.

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SHAKUNTALA DEVI – Review by Mythily Ramachandran

SHAKUNTALA DEVI – Review by Mythily Ramachandran

Shakuntala Devi is a spirited tale of India’s mathematical genius. Vidya Balan completely owns the titular role while bringing alive this rags to riches story in director Anu Menon’s film.

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Filmmaker Anu Menon on SHAKUNTALA DEVI – Mythily Ramachandran interviews

Filmmaker Anu Menon on SHAKUNTALA DEVI – Mythily Ramachandran interviews

Indian filmmaker Anu Menon busts Bollywood stereotypes, Known for films with stories about strong female characters, her latest feature is Shakuntala Devi, a biopic that chronicles the life of the legendary female mathematician known alternatively as the ‘wizard of India’ and the ‘human computer.’ Menon chats with Mythily Ramachandran about the titular character and making the film.

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My Gen Z Perspective on Film Criticism – Riley Roberts comments

My Gen Z Perspective on Film Criticism – Riley Roberts comments

I’m 18. I’ve been a YouTube pioneer, the youngest movie critic in history, sold a company, and interviewed hundreds of A-list stars from Dwayne Johnson to Selena Gomez – all before my first period. With high school graduation behind me, I’m looking at a bright future of…what? Closed doors? Despite acquiring a decade’s worth of experience in the field, I’m learning that everyone wants me to knock on the door clutching a very expensive piece of paper – one that comes from the “right” place accompanied by some stunning numbers with decimal points.

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Whistler Film Festival 2018 Filmmaker Interview: Meryam Joobeur, director of BROTHERHOOD

Whistler Film Festival 2018 Filmmaker Interview: Meryam Joobeur, director of BROTHERHOOD

Filmmaker Meryam Joobeur’s 25 minute narrative film takes us to rural Tunisia and into the life of a hardened shepherd, Mohamed, who is deeply shaken when his estranged son Malik, who’d left the family to fight for ISIS, returns home with a Syrian wife. Tensions between father and son slowly build into an inevitable and heartbreaking confrontation with devastating results. Brotherhood is the recipient of AWFJ’s EDA Award for Best Female-Directed Short at Whistler Film Festival 2018.

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Whistler Film Festival 2018: Lara Zeidan, director of THREE CENTIMETRES

Whistler Film Festival 2018: Lara Zeidan, director of  THREE CENTIMETRES

In Lara Zeidan’s nine-minute short film is a dense and claustrophobic drama in which four teenage Lebanese girls go on a ferris wheel ride to cheer one of them up after a breakup. They find their friendships put to the test while they are suspended high above Beirut, as secrets are revealed and tensions rise. The drama culminates in an unexpected confession.

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Whistler Film Festival 2018 Filmmaker Interview: Sophie Dupuis, director of FAMILY FIRST

Whistler Film Festival 2018 Filmmaker Interview: Sophie Dupuis, director of FAMILY FIRST

Sophie Dupuis’ first feature is Canada’s selection for this year’s Foreign Language Oscar category. Family First is a a hard-hitting, crime-tinged drama about a totally dysfunctional family. JP, a 20-something guy, lives with his alcoholic mother and 19 year-old brother whose behavior is best described as psychotic. The family is ruled by JP’s drug-dealing Uncle Dany, who uses the brothers to collect debts. JP tries to avoid violence, his brother enjoys it. JR is torn between loyalty to his mother and brother and his deep-seated wishes to create a better life for himself and his girlfriend. The plot is intense, the script, direction and performances are superb. Family First is the recipient of an AWFJ EDA Award for Best Female-Directed Feature at the noWhistler Film Festival 2018.

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